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Adventure cast - Claire Crosby, Toru Uchikado writer - Brad Copeland, Lloyd Taylor Description - Spies in Disguise is a movie starring Rachel Brosnahan, Jarrett Bruno, and Claire Crosby. When the world's best spy is turned into a pigeon, he must rely on his nerdy tech officer to save the world 2019 director - Nick Bruno. Ik hebhet te doen met die oude man bij die roltrap. Als hij de link legt met wat er nu in deze verschrikkelijke wereld gebeurt had hij in paniek kunnen raken omdat hij opeens een koffer in zijn handen geduwd krijgt. slimmer nadenken volgende keer... Geheim agent roekeloos review. Geheim agent roekeloos vlaamse stemmen. Sterling looks kinda off and Toms character looks just like the one he's playing in onward minus the blue. Copyright © 2020 ruihajin's Ownd. Powered by AmebaOwnd 無料でホームページをつくろう.

Film geheim agent roekeloos. Normally, I tolerate animated movies nowadays, and come to think of it, I couldn't get enough on Spies In Disguise. This is a really great animated spy movie. The writters knew what thet were doing with the humor and some of the parts of this film. Yes, the pigeon idea was a little lacking, but it is okay on a technical level. Unlike Cars 2, Spies in Disguise has both an interesting story and a strong moral for not only kids but for all audiences too. The characters are pretty likable and the action scenes are good. Compare to Cars 2, this movie has strong and clever humor that tells us that we all can do any clever forms of comedy. Spies in Disguise is without a doubt, one of the best animated movies of 2019 and I give this one an 8.9/10.

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There are a lot of hilarious moments in this film. For instance, the entire scene in Mexico where Lance, as a pigeon, meets up with other pigeons who then attempt to initiate him into their group is a complete and utter riot. It's uproarious, to say the least. I also enjoyed how they did not create voices for the other birds, but rather, created characters that could be portrayed with subtle movements and simple cooing. You can tell that one of them is insane, one is dumber than a box of rocks, and the third is supposed to be some kind of attractive female pigeon.
The movie also touches on a lot of spying tropes and turns them inside out in order to create an atmosphere where a pigeon could engage in espionage. It also takes the time to focus on the bird's weak points and how that would be a hindrance to the task at hand. For instance, when Lance tries to take down a Japanese arms dealer, he fails miserably because his wings aren't as strong as his arms and hands used to be. It's an intensely clever premise, and the movie delivers a lot of action among the comedy.
The problem, again, is the message, which is horrendously stupid. The idea that just speaking with an internationally known thief and battling him with cute images of puppy dogs and kitty cats is asinine on the greatest of levels. While I appreciate the movie's efforts to advocate for humans to tone down the violence and be nicer to each other, there are times when you have to, as the movie itself puts it, fight fire with fire."
So, overall, this was a very well written, well animated feature. Blue Sky never scrimps on animation, and it definitely shows here. The overarching problem with the movie is its ridiculous message that there are no evil people in the world, just misunderstood individuals.

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There was also a Coca Cola Bottling plant and a Pepsi Bottling plant nearby. One day I bought a soda, opened it, and the smell of chemicals hit my nose as I lifted the bottle to my mouth to drink. I threw it away and from then on I checked the label to see where the soda had been bottled before buying it. Ill say it when i see the ball drop. This is a perfect platform that I want the public to know about what happened to the Vitek Proplast Teflon TMJ jaw implants disaster that began in the early 1980s where DuPont and the FDA knew of the dangers that Teflon has in a biological living creature as used in a loaded joint like hip and jaw joint implants. DuPont knew in the early 1960s that Teflon will break down and cause serious harm if used in the hip implants back then. but yet, they knowingly knew, but tried to deny their involvement in the Vitek Proplast Teflon TMJ jaw implants complete and utter disaster and tragedy that is being secretly hidden from the public to this very day ( there was a 20/20 segment back in the early 1990s regarding the Vitek Proplast Teflon disaster but after that nothing, promises from the FDA that would help us Vitek victims never came to light of day. Teflon, in which PFOAs were used back then in the 1970-80s, is the main material in the Vitek Proplast Teflon TMJ implants that were grandfathered by the FDA back in the 1980s and caused SERIOUS and PERMANENT continuous SYSTEMIC damage to the patients who had them in. There was a PATHETIC recall by the FDA in the early 1990s and there was no Implant Registry, there are absolutely ZERO TMJ implant registrys to this very day, thats over 40-50 years of implants that the FDA has no idea of who had them and who heard of the recall. The Vitek Proplast Teflon implants was a HUGE coverup by the manufacturer, the surgeons professional organization, surgeons but not all, and the hospital that helped with the research and promotion of the Vitek implants! The Teflon used way back then contains this PFOA Forever Chemical and was used in the Vitek Proplast Teflon TMJ jaw implants. DuPont knew in the early 1960s that Teflon cannot withstand the forces used in a loaded joint like the hip total joints they used back then with Teflon in the TJRs and removed them from the market, BUT, Dr Charles Homsy, an ex-DuPont employee and biomaterial engineer was continuing to research and then implement the Vitek implants after he was supposedly fired from DuPont as they said for him to stop pursuing his research. which of course he did not, and his Vitek Proplast Teflon implants were grandfathered into the FDAs 510-K Pre-market Approval process. then later the FDA had a pathetic safety alert and recall where majority of the Vitek patients had NO idea of the recall, and there are STILL patients with these horrible implants still in them to this very day, and many surgeons will not touch them to get them removed. Please look at the public Facebook group “Were Americas Shameful Secret” and browse the site for info regarding what I said above and the severe medical problems due to the Teflon that was well known back then to not be used in a loaded joint, like hips and TMJ jaw joints (on that FB group is a photo of my broken and failed Vitek-Kent VK-ll Proplast Teflon TMJ total joints, and a skull drawing I did one sleepless night portraying my STILL living nightmare from Teflon and DOW Silastic IPI TMJ implants, Silastic is same as silicone but in a sheet form, and DOWs Silastic also was/is a systemic medical disaster just like the breast implant victims, the Silastic patients have same plus different medical problems as the silicone breast implant patients. The most realistic fake thing Ive ever watched. Dark. I'm very glad you're feeling better. And I'm glad to hear you're taking care of yourself. You inspire me to do better. Also, I love your stories. It's always the best quality, content, background, and sound effects. Always a great listen. Thanks man. Of course it had to feature a Hollywood star, but hooray for The View for featuring an environmental story with those women on the panel that believe the environmental devastation by humans is an issue. Eerily similar to the story that family in Maine experienced from The Wolf Pack from Paranormal Witness. The only thing this movie is missing is The Seven Nation Army soundtrack. Congratulations! 10, 000 and what an incredibly fast rise to fame. Very impressive and inspirational! Keep it up. Do you have a graph of time and your subscriptions? I would love to see that. Im a Trump supporter and i loved this movie. I saw it 3 times. As a lawyer myself I can verify the authenticity of most of the movie. Facebook 0 Tweet 0 2019 2:06 m Drama, History + Playlist Sign in to add this movie to a playlist. 1. 3K views 0 A tenacious attorney uncovers a dark secret that connects a growing number of unexplained deaths due to one of the world's largest corporations. In the process, he risks everything—his future, his family, and his own life—to expose the truth. TANCAP88 – NONTON STREAMING FILM, NONTON FILM ONLINE, NONTON DRAMA KOREA, NONTON SERIAL TV SUB INDONESIA GRATIS – TANCAP88 Review Sources Be the first to review “Dark Waters” Your email address will not be published. Required fields are marked * Your rating Your review * Name * Email * Save my name, email, and website in this browser for the next time I comment. There are no reviews yet. Links Quality Language Player Date Added Play Now We Recommend 2019 2:54 m History, War A Hidden Life Based on real events, A HIDDEN LIFE is the story of an unsung hero, Franz Jägerstätter, who refused to fight for the Nazis in World War II. TANCAP88 – NONTON STREAMING FILM, NONTON FILM ONLINE, NONTON DRAMA KOREA, NONTON SERIAL TV SUB INDONESIA GRATIS – TANCAP88 Watch Now 2019 1:59 m History, War 1917 At the height of the First World War, two young British soldiers, Schofield and Blake are given a seemingly impossible mission. In a race against time, they must cross enemy territory and deliver a message that will stop a deadly attack on hundreds of soldiers—Blake's own brother among them. TANCAP88 – NONTON STREAMING FILM, NONTON FILM ONLINE, NONTON DRAMA KOREA, NONTON SERIAL TV SUB INDONESIA GRATIS – TANCAP88 play 9. 3 9. 3 3 Votes 2020 1:34 m Comedy, Drama, Family Troop Zero In rural 1977 Georgia, a misfit girl dreams of life in outer space. When a national competition offers her a chance at her dream, to be recorded on NASA’s Golden Record, she recruits a makeshift troupe of Birdie Scouts, forging friendships that last a lifetime and beyond. TANCAP88 – NONTON STREAMING FILM, NONTON FILM ONLINE, NONTON DRAMA KOREA, NONTON SERIAL TV SUB INDONESIA GRATIS – TANCAP88 2019 2:08 m Action, Sci-Fi Terminator: Dark Fate Decades after Sarah Connor prevented Judgment Day, a lethal new Terminator is sent to eliminate the future leader of the resistance. In a fight to save mankind, battle-hardened Sarah Connor teams up with an unexpected ally and an enhanced super soldier to stop the deadliest Terminator yet. TANCAP88 – NONTON STREAMING FILM, NONTON FILM ONLINE, NONTON DRAMA KOREA, NONTON SERIAL TV SUB INDONESIA GRATIS – TANCAP88 play 10. 0 10. 0 1 Vote. In recent decades, particularly since the horror that erupted on 9/11, more than a few dramatic movies have dealt with real-life events and/or social issues in ways that are often so engaging that they supersede most Hollywood blockbusters. Some of the very best deal with the kind of rampant corporate malfeasance that goes on when there are few or no regulations in place to protect the people that these corporations have a tendency to harm with all-too-painful regularity. DARK WATERS is one of those films. Mark Ruffalo portrays Robert Billott, a Cincinnati-based attorney who is part of a law firm that represents dozens of multi-billion dollar corporations, the biggest not only in America but the world at large as well. But when he hears about a farmer in his own hometown of Parkersburg, West Virginia who has lost nearly two hundred head of cows because they drank from toxically polluted water, he wades into the situation (albeit reluctantly at first) and discovers that one of the companies he has represented in his time, no less than DuPont, is the corporation whose dumping of their toxic waste is responsible for not having only killed livestock, but poisoning and/or severely deforming almost everybody there in Parkersburg, nearly seventy thousand in all. Combing through documents dating all the way back to the 1970s, he learns that some of this poisoning may be connected to a very well-known product, that DuPont created back in the early 1960s (everyone will know all too well what the name of that product is) and is in practically everything in every home in the United States, including pots and pans. The toll it took on him and his family, including the relationship with his wife (portrayed by Anne Hathaway) was almost too much for him (he ended up in the hospital for a time) but he kept on fighting for the people in his town, getting blood samples from everyone tested to be used as evidence of DuPont's corporate malfeasance, which virtually bordered on corporate homicide. Based on Nathaniel Rich's article "The Lawyer Who Became DuPont's Worst Nightmare" that appeared in the New York Times Magazine in 2016, DARK WATERS is quite well directed by Todd Haynes (I'M NOT THERE; WONDERSTRUCK) and co-written by Matthew Michael Carnahan (LIONS FOR LAMBS; DEEPWATER HORIZON. Ruffalo, who portrayed one of the Boston Globe reporters in the much-acclaimed 2015 drama SPOTLIGHT, ably portrays Billott in a way that gives us a glimpse into his way of thinking that, just by having represented DuPont in his time, he himself may have been somewhat responsible for the years-long poisoning of his own hometown, even if only indirectly. The atmosphere conjured up by Haynes is not too dissimilar to what we saw in ALL THE PRESIDENT'S MEN, SPOTLIGHT, or THE POST, one that is decidedly sinister, shadowy and arguably corrupting. Tim Robbins, well known for his highly liberal political beliefs, does a good job of playing Ruffalo's partner in the firm, who is initially extremely reluctant to take his side but then does when the facts about DuPont become too big to ignore. Mare Winningham is also good as one of Parkersburg's many residents who have to face what the town's biggest employer has been doing to then for decades. While it may seem all too common for movies to take what may seem like potshots at multi-billion dollar conglomerates, when they do the wrong thing (which seems to happen all too frequently, as it did with DuPont) then those wrongs have to have a light shone on them. This is what DARK WATERS does; and as a result, it was one of the best films released in 2019. Bucky Bailey is amazing. Free%20Stream%20Dark%20Waters%20Part%201%20Without%20Membership%20Streaming%20Online Published by: Le Pacte Bio: Distributeur de films depuis 2007. #LesMiserables #LaFilleAuBracelet (Au cinéma), #DarkWaters (26/02), #Monos (04/03), #Pinocchio Movie Watch Chinese Portrait release date HD 1080p 1280p Watch Here ⇓⇓⇓⇓⇓⇓⇓⇓⇓ DOWNLOAD WATCH ▲▲▲▲▲▲▲▲▲ Director Xiaoshuai Wang country China genres Documentary 2018 runtime 79 M Movie Watch Chinese portrait. US is the whole entire WORLD is real TERRORIST as they are. They are continuously destroying this WORLD, but no one stand to STOP them. It is SHAMEFUL. If Nations around this WORLD UNITED to put to the END of BLOODY real TERRORIST trump, US Government this WORLD will be in real PEACE. Enough is enough. No more. Tingting is very creative and good at giving us a variety of different settings and ideas with her videos and is very good at incorporating her Chinese traditions. She definitely presents her culture very well and creates an intrigue to learn more about her Asian traditions. You can tell that she really puts a lot of time and effort in her videos. A very beautiful woman indeed. TingTing. Complimen ting (haha) my face * Me: What do u meannn. Movie watch chinese portrait hd. Movie Watch Chinese portraitiste. When you did the face touching in very beginning, I actually felt something in my face😅😂. Movie watch chinese portrait 1. Marion vient vivre chez moi, en Corse, on y voit très bien les étoiles. Movie watch chinese portrait 2. Movie watch chinese portrait video When that door opened you could hear a female's voice say something. Your artistic skills speak of itself. What a nice portrait! Thank you for uploading. I liked it very much. While modelling falls asleep Oh, I didnt expect THAT to happen. Movie Watch Chinese portraits. Source: How to Make Money Online—50 Best Ways to Make Money Online (2020) Sell Old Clothes, Shoes, and Other Fashion Items You Never Use Anymore Do you have old clothes Tradesy Become a Consultant Related: Looking To Start A Side Hustle In 2020? Here’s Your Reading List Become a Transcriptionist pull in a decent side income TranscribeMe! Buy and Resell Stuff Online Tutor Invest Even With the Smallest Amount of Money Stash Acorns Related: Oh My Posh! 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As December arrives, the gears in the awards race start to increase their speed to the max, and my addiction to see the different Oscar campaigns flying or crashing is rewarded. Let's take a quick look at the calendar for the next two weeks: -Tuesday, December 3: The National Board of Review (NBR) announces the honorees for the Top 10 Films of the Year. -Wednesday, December 4: The New York Film Critics Circle (NYFCC) votes and announces its 2019 awards. -Sunday. December 8: The Los Angeles Film Critics Association (LAFCA) votes and announces its 2019 awards. -Monday, December 9: The Golden Globes nominations are announced. -Wednesday, December 11: The Screen Actors Guild (SAG) nominations are announced. But before the race starts to shake, it's good to take a look at the status of the contenders, and why they need some of the awards and nominations that I just mentioned. -1917: Let's start things off with a bang. Sam Mendes' one-take WWI extravaganza finally started screening a few days ago, and the reactions agree that the movie, about two English soldiers crossing enemy territory to send a message that will stop a massive ambush, is very thrilling and has it's fair share of emotions. Impressive war movies are like catnip to the old members of the Academy, and if they are not too distracted with Scorsese and Tarantino, we could be looking at nominations for Best Picture, Best Director, Best Cinematography (Roger Deakins, bay-bay! ), Best Production Design, Best Original Score (it's a crime that Thomas Newman hasn't won one yet), Best Sound Mixing and Best Sound Editing. There's also rumblings about the up-and-comer George MacKay being in the running for Best Actor, and some say that it even has a shot at Best Original Screenplay. This shakes up the race, without a doubt. -A Beautiful Day in the Neighborhood: While some movies rise, other movies start fading out. After Toronto, it seemed like Marielle Heller's Mr. Rogers dramedy would be a slam dunk for the race, but even though the raves are there and the box office results are decent, the buzz is disappearing. There's too many films fighting for attention, so non-flashy films like this one end up paying the price. The adapted screenplay and Tom Hanks' supporting performance have become the only big shots for Oscar love, but let's not forget that Tom hasn't been nominated since 2001, because of that time a witch put a curse on him or something like that. -Avengers: Endgame: After some fanboy controversy that looked a little engineered, Disney has begun the serious campaigning for Best Picture with a film by the acclaimed auteurs known as the Russo Bros, who would like for you to know that "cinema" is an elite word. Anyway, while that's definitely not happening, the Mouse House is putting a little more weight for a Best Supporting Actor nod for Robert Downey Jr's farewell portrayal of Tony Stark, and it's gonna be interesting to see if the Globes or SAG fall for that. Hey, they have important posters and everything! -Bombshell: If there's one movie that will need to jump on the hype-o-meter thanks to the Golden Globes and SAG voting bodies (the first group being some shady, easily bought foreign journalists, while the second one is made up of actors who love these kinds of movies), it's Jay Roach's expose about the abuse at Fox News. Charlize Theron's eerily accurate lead turn as Megyn Kelly is bound to get some love (although part of it comes from the "This person looks exactly like the real person, so that's automatically a great performance" factor), and Margot Robbie's portrayal of a fictional decent Fox News employee can slide in the Supporting Actress nods. Add Make-Up and Hairstyling, and those are the big shots for what critics call "the Vice of 2019". -Cats: Everybody has stopped pretending that Tom Hooper's adaptation of Andrew Lloyd Webber's furry musical has a shot for Best Picture, but apparently Universal is rushing to get the Golden Globes voters to see the movie before the deadline. And let's be honest, it's totally possible that, no matter how it is, Cats ends up nominated for Best Comedy/Musical. You know it, I know it. Also, they still have chances for smaller Oscars, like Best Original Song, with this totally not tacked track by ALW and a suddenly British Taylor Swift. -Dark Waters: "DU PONT, YOU BASTARD!!!!! " That's what I imagine Mark Ruffalo screams in this legal thriller surprisingly directed by Todd Haynes, about the real case of a town poisoned by a neglectful corportation. While the reviews for this depressing story have been very good, and the box office release has been expanding nicely, this is a classic case of a small movie released too late. Usually this kind of movie needs dedication to build the hype, but it was screened in the middle of November in a crowded season that is rushed because the Oscar ceremony is almost a month early, so a bunch of people don't even know that this exists. Also, shoutout to the poor Anne Hathaway, who is playing The Wife here. -Dolemite Is My Name: You know who needs some Golden Globes and SAG love? Eddie Murphy. The Netflix release of the Rudy Ray Moore biopic has been a little underwhelming to build buzz, and with the streamer's interest being more devoted to The Irishman, The Two Popes and Marriage Story, the film's only chance for an Oscar nomination lives or dies on Eddie popping up in the Best Actor nods right now. -Downton Abbey: Wanna know a fun fact? This movie made 186 million dollars worldwide. That's like 581 Lucy in the Skies! In other words, we have to wonder if Julian Fellowes' big screen continuation of the TV period piece will just settle for Production Design and Costume Design awards, because there's a wild card in the Best Supporting Actress race: Maggie Smith. Everybody loves her, and it wouldn't be a surprise to see her nominated for a Globe or a SAG this season. -Ford v Ferrari: Your dad's new favorite movie has been running at full speed at the box office, grossing 143 millions worldwide in a couple of weeks and finally proving to Disney the value of Fox's big adult dramas. Now, James Mangold's flick will need to get some Golden Globes love for Christian Bale's performance if it wants to stick in the Best Picture race, because sometimes being a technical crowdpleaser is not enough. -Frozen II: While the critics agree that this sequel is decent but doesn't live up to the original, Elsa has used her dark powers to dominate the box office and raise 738 million dollars in less than two weeks, which leads us to talk about the Best Animated Feature category. After the breath of fresh air that was the win by Spider-Man: Into The Spider-Verse, we're back in Disneytown, because this year the category is weak in terms of commercial contenders to the Mouse, while smaller movies like I Lost My Body (IT'S RIGHT NOW ON NETFLIX, PEOPLE, CHECK IT OUT) or foreign flicks like Weathering With You won't get as much attention. Basically, expect Frozen II or Toy Story 4 to win this year. My only doubt: Will Disney still push Into the Unknown for Best Original Song, or change it to Show Yourself, which is the song people liked better after seeing the movie? -Harriet: Now that the Best Actress race is more crowded, it's getting harder for Cynthia Erivo to keep her spot in the Top 5, so she really needs those Globe and SAG nominations. -Honey Boy: After the strong reviews for Alma Har'el's directorial debut that deals with Shia LaBeouf writing the story of his troubled young fame and playing his own father, it seemed that Hollywood really wanted the Shia LaBeouf comeback. But while the film has gotten a nomination for the Spirit Awards (aka, the Indie Oscars) for Shia's performance, the box office expansion for this movie has been disappointing. Throw that into a crowded race, and you get shrinking odds. -Hustlers: We know that Lorene Scafaria's con friends tale is a hit at the box office (it has grossed over 150 millions on a 20, 7 mil budget), and now we get to see the two big campaigns unfold. On one hand, we have Jennifer Lopez cashing in the critical love (she was one of the Best Performances of the Year according to Time, and got a Spirit nomination as well), meeting every voter, and stepping up to Laura Dern as the race for Best Supporting Actress becomes a 1v1 match. Then, Scafaria (who got a Spirit nom for Best Director) has been making the rounds, and those chances for Best Adapted Screenplay seem closer and closer. Expect this one to benefit from the Globes and SAG nominations. -Jojo Rabbit: Taika Waititi's WWII satire has been performing decently at the box office, but it needs some Golden Globes love if it wants to keep attention for the Best Picture race. -Joker: We know that Joaquin is locked and loaded for the Oscar nominations for Best Actor, and the box office has broken the billion dollar threshold, but the Best Picture chances for the sad clown have been rocked by the revelation of Todd Phillips considering... a sequel? Oh, my monocle! Warner has been quick to deny the breaking news by The Hollywood Reporter, mainly because a sequel would prove that Joker's punk themes about society and stuff were bull, but whatever. In other news, John Waters said that Joker was one of his 10 favorite movies of the year because it's so dangerous, and this encapsulates why I despise every critic who saw this piece of nothing at Venice and ran off to write shocked thinkpieces that ended up helping the movie. -Judy: It's hard to be alone at the top, and that's gonna be a test for Renee Zellweger as she now has to keep her number 1 spot in the Best Actress race for the next two months. Expect a change to come soon, even if she's bound to get SAG and Globe noms in a few days. -Just Mercy: It seems that Warner Bros has put all of its eggs in the Joker basket, because nobody's talking about the legal drama starring Michael B. Jordan and Brie Larson. Even the best chance of this movie, a supporting turn by Jamie Foxx, has withered away in the big race. If this doesn't get any Globes or SAG nods, it's Oscar chances are gone. -Knives Out: Benoit Blanc is in the house, and Rian Johnson's all-star whodunnit followed its months of critical praise with a big opening weekend of 70 million dollars worldwide, which is amazing news. While Lionsgate is looking at the results of the mystery comedy (that had a 40 million dollar budget) with those sequel eyes, the chances for a surprise Oscar nomination for Rian's original screenplay became louder. Take that, Youtube channels still milking "Last Jedi hurt my tricycle" videos. -Little Women: The proper reviews are out, and critics are falling over with praise for the literary adaptation, which is great for the Oscar chances of Greta Gerwig, Saoirse Ronan and Florence Pugh. The Globes/SAG boost will help a lot, too. -Marriage Story: Speaking of the Globes/SAG boost, expect the Noah Baumbach divorce dramedy to jump to the spotlight for the next few weeks, because the film will be everywhere between the locked nominations (Adam Driver, Scarlett Johansson, Laura Dern) and the release on Netflix worldwide this Friday. If only ScarJo would stop saying stuff, this would have been a different race. -Once Upon a Time in Hollywood: The first big test of Quentin Tarantino's love letter to the '60 will be if the staying power of the movie translates to Globes and SAG noms. Expect this to become a reality. -Pain and Glory: As critics start to rush to post their Top Ten lists of 2019, Pedro Almodóvar's self-portrait has been getting a lot of love, as well as Antonio Banderas' heartbreaking turn. While this movie has been overshadowed by the next film in our list, Banderas can benefit if he scores in the critics circles and gets a Globes nod (the SAG is less possible because the actors guild is... how do I put it... allergic to performances by anyone who isn't white and speaking English). -Parasite: Bong Hive, assemble. The Korean class warfare satire is a few weeks away from entering the Top 10 for box office grosses by foreign films in the US, and the critics are still showering Bong Joon-Ho with praise. While it's nearly impossible to see the film getting nominated for a SAG, the Globes will surely spread some nominations (even though the film can't compete for Best Drama or Best Comedy/Musical because of a dumb rule against foreign movies). And we have to see how the critics circle boost Bong. Will we have the next Roma? -Queen and Slim: Melina Matzoukas' riff on the lovers on the run subgenre scored nicely over the Thanksgiving box office, and will sure become a minor hit. But, as with Dark Waters, it screened too late, so it's hard to see the film, Matzoukas, the screenwriter Lena Waithe or its leads (Daniel Kaluuya and Jodie Turner-Smith) standing tall in the crowded race. -Richard Jewell: While Dark Waters and Queen and Slim screened too late to get properly noticed, you know who is the guy for whom every old Academy member saves a spot every year? Clint Eastwood, that's who. Sometimes he gives us a Letters From Iwo Jima, sometimes he gives us Hereafter. Now he came with the tale of the security guard who got wrongfully accused of bombing a stadium in Atlanta, and makes a star of Paul Walter Hauser (previously known for playing the drooling dumb in I, Tonya, BlackKklansman and Cobra Kai), who now also joins the Best Actor race, while Sam Rockwell puts the hood down and plays his lawyer. While some people said that this could sneak up in Best Picture, the road is still full of doubts, especially after some reports about how Eastwood treats a journalist character played by Olivia Wilde, based on a now deceased woman who is now played as an evil cartoon who gets sex for scoops. At least Clint deleted the scene where she plots with a chair for a conspiracy involving the DNC. -Rocketman: Nobody is expecting the Elton John musical biopic to get big nominations at the Oscars, but you just know that Taron Egerton will be happy to get that Golden Globes love and smile his face off on TV. -The Farewell: As the race becomes more crowded, Lulu Wang's culture clash dramedy has to keep popping up, and A24 has been grinding with this one, even bringing out Zhao Shushen to campaign. The Spirit Awards boosted the film with nods for Best Picture, Best Actress for Awkwafina (who now goes around in some campaigning spots using her real name, Nora Lum), and Best Supporting Actress for Zhao. Now, it has to contend the rules of the Globes (because the movie features Chinese in most of the dialogue, it's classified as foreign, so it can't compete for Best Drama or Best Comedy/Musical) and the preferences of the SAG. -The Irishman: Martin Scorsese's epic and heartbreaking goodbye to the gangsters of his youth is out to the world, and people have been talking... mostly, about how to watch it. Apparently, everybody is cool with downing a Stranger Things season in a day or watching the second hour of Ant-Man trying to eat a taco with the Hulk, but three and a half hours for Jimmy Hoffa's pal ruminating about death are suddenly too much. Kids these days. I'm kidding, but the reaction to Marty's epic goes from praise from some to disdain and "ok, boomer" reactions from people hurt by his MCU comments or ready to launch thinkpieces about a movie that actually takes the glamour out of the mob life. That could prove fatal by the end. -The Lighthouse: While the Spirits gave several nods to Robert Eggers' spooky old timey cabin fever tale, the Globes and SAG nominations are the true tests of the only big chance for this movie, the "supporting" role of Willem Dafoe. -The Report: Did you know that this movie is on Amazon right now? It got ignored by the Spirit awards, and it seems unlikely that the Globes and the SAGs remember that this movie about Adam Driver (who is busy campaigning for Marriage Story and spraying Reylo shippers out of his yard) dealing with the tortures in the Iraq War exists. Sorry Annette Bening, better luck next time. -The Two Popes: IT'S TIME FOR THE POPES TO PLAY. After months of hearing reports of old people being delighted by the popal clash, we'll see if Jonathan Pryce and Anthony Hopkins can charm their way to some Globes and SAG nods. This paragraph is too weird. -Uncut Gems: Adam Sandler and the Safdie brothers keep collecting praise, and a bunch of Spirit nods are a good lead-in to a week when the Sandman will need both the industry and the critics love. -Us: Lupita Nyong'o is campaigning hard for her double role in Jordan Peele's thriller, and we'll likely see her pop up in the Globes line-up. It's a shame that Us released so early this year, because if it had come out in October, she'd be locked for a Best Actress nod. -Waves: Trey Edward Shults' family drama had some praise coming out of Toronto, but it isn't translating to meaningful box office during its expansion. Furthermore, while it seemed that the only chance for the movie would be in the hands of Sterling K. Brown, recent awards ignored him while signaling the supporting role of Taylor Russell (more known for her lead role in Escape Room, which was a fun time). A24 hopes for this being the next Moonlight are not coming to pass. Technical(ly) contenders: Ad Astra, Avengers: Endgame, Cats, Downton Abbey. Check the pulse: The King, Dark Waters, Just Mercy, Waves, Honey Boy. This had Oscar buzz: Seberg, The Laundromat, The Goldfinch, Lucy in the Sky, Motherless Brooklyn, The Aeronauts, The Report. Closing question: What or who is gonna be the random Golden Globes nominee that nobody sees coming this year? Since when can the USA be trusted except to start a war or invasion! Lol. Handa daw. Sabagay handa si Sec Dugue at ang mga private company SA tourism kasi Kaya Nila magpaprivate hospital Kung sakaling magkaroon sila ng NCov2019. At syempre kilala sila. Movie watch chinese portrait 2017. Movie watch chinese portrait online Movie watch chinese portrait software. Morena peeps, You know the drill. Journo quotes that make you go hmmm. Do you wanna play a game? Rides in on giant bumble bee Bees don't just buzz around and make honey; they also do math problems in their free time that would stump the average 4-year-old. Last year, a group of researchers in Australia reported that bees understandthe concept of"zero. "Now, a new study by the same group suggests that the insects can also do basic addition and subtraction. The team reported its findings today (Feb. 6) in the journalScience Advances. A couple of decades ago, scientists thought that such higher-level processing was limited to human and some other primate brains. But then, researchers looked a bit closer, finding that dolphins could understand what zero meant and thatAlex the parrot(and even some spiders) could do basic arithmetic. The findings called into question the "position that there's something special about the human brain, " said the new study's senior author, Adrian Dyer, an associate professor at RMIT University in Melbourne, Australia With Jeffrey Epstein and Prince Andrew making headlines across mainstream media around the globe, many people who weren’t aware of elite level pedophilia have now had their minds blown wide open. Despite the fact that there has been strong evidence of this activity for decades, many people dumped this topic in the conspiracy theory category, and many professionals actually categorized victims who came forward as having schizophrenia. It’s far from a conspiracy, and based on our years of research here at Collective Evolution, the trafficking of children and elite level pedophilia goes even beyond that and into the murder and ritualistic abuse of children. A large percentage of the global elite are implicated, in the royal families, the Vatican, and in the fields of finance, politics, and other places of great power. We are talking about the majority of people who set political policy, control our finances and people we are made to be idolized. The latest example, apart from the Jeffrey Epstein stuff, comes from Peter Dalglish, an order of Canada recipient, and an Ex chief advisor for the United Nations Child Labour Program. He has quite the resume, apart from being a senior UN official he founded the charity known as “Street Kids International. ” The police force in Nepal took Dalglish from his home a couple of years ago in a district north of Kathmandu. The police said that two children, aged 12 and 14 years old, were rescued from the home. The police alleged that the children were lured with a promise of education, work and foreign travel before they were sexually abused by Dalglish. Kabit Katwal, the deputy superintendent of the Nepal Policewhose investigation led to the arrest of Dalglish, said the following: We made several surveillances for several days and it is the outcome of our dedication. We’ve spent lots of time to bring Peter Dalglish into the frame of justice. We firmly believe he’ll be convicted because he committed the crime. We are pretty sure that the case will not fail…The evidence is there, the confession is there, the victims clearly told the story of how they become victimized. So everything is crystal clear. He was right. After spending more than a year in a jail near Kathmandu, the well known Canadian aid worker has now been found guilty of sexually assaulting children in Nepal.Dalglishdeniesthe charge been found guilty of, according toCBC news Merry Christmas. As Jacinda wants us to live in a global world we must take note of what is happening our new home! It has often been said that peaceful muslims are irrelevant when it comes to stopping jihadi, the faithful followers of the prophet. However, the peaceful muslims, who have the same goals of living by sharia, provide an important political cover and legitimacy to those faithful to the prophets teachings. Jahadi, the faithful followers of the prophet, could not survive without the financial and political support of peaceful muslims. We have seen this repeatedly here over the last decades in NZ with FIANZ, the Christchurch mosque, and our own jihadi, some of whom are now resting in pieces scattered over a Yemeni desert. These Kiwi and Aussie men would not have been killed if it wasn’t for FIANZ and the peaceful muslims of NZ providing mosques, teachers and recruitment materials to radicalise NZ youth. Suspected Muslim extremists launched an attack on a church in eastern Burkina Faso on Sunday morning, killing at least 14 people and wounding several others, the government said. The attack took place in the village of Hantoukoura near the border with Niger in the East region, according to a report from theAFPnews agency. After spraying bullets into the congregation during the Sunday service, the assailants fled on motorbikes. A security source told the outlet that armed individuals carried out the attack, “executing the faithful including the pastor and children. ” On Sunday, President Roch Marc Christian Kabore announced the news onTwitterand condemned “the barbaric attack” in the town of Hantoukoura. He said several people also were wounded. Kabore offered his “deepest condolences to the bereaved families and wish a speedy recovery to the wounded. ” Burkina Faso’s armed forces were caring for the wounded and searching the area, the government also said in a statement. While no group has claimed responsibility for the attack, fighters linked to the Islamic State and al-Qaeda have carried out attacks on police stations, military posts, and civilian targets in Burkina Faso since 2015, according toHuman Rights Watch. While jihadists have launched attacks across the country’s north for years, they recently have struck in the east as well. The man who carried out the London Bridge terror attack has been identified as 28-year-oldUsman Khan,Metropolitan Police confirm.He was convicted in 2012 as part of aplot to bomb the London Stock Exchange and build a terrorist training camp. Hewas also believed to have supported al-Muhijaroun, a militant jihadist network in the United Kingdom, reportsThe Guardian.Read the original article below. The suspected attacker responsible for Friday’s deadly stabbing in central London was a convicted terrorist who was recently released from prison and believed to possess ties toIslamic extremist groups, according toThe Times. Earlier, a knife-wielding man stabbed several people at London Bridge, killing two and wounding three others. Police shot the suspect dead at the scene. He is said to have worn a fakeexplosivevest andan electronic prison tag. Prior to the attack, the knifeman threatened to blow up Fishmongers’ Hall, where he was reportedly planning to attend aconference on prisoner rehabilitation organized by theUniversity of Cambridge, reportsThe Times. Authorities aretreating the deadly incident as a terror attack. Pedestrians and vehicular commuters described the fear they felt and the chaos at the scene. Ulig Bek of UzbekistantoldThe Times:“I saw the guy lying on the ground and didn’t know what was going on. ” Bek, who video-recorded shots being fired, added: “The police were shouting at him and he was shouting, ‘Help, help, help’. Everyone was so shook up. Police were screaming, ‘Put it down. ’” Authoritiesshut off trafficto London Bridge and closed a nearby train station during the incident. They later said that enhanced patrols would be implemented throughout the city during this busy shopping period. Three American spies were long known for having stolen U. S. atomic secrets between 1940 and 1948, sharing that information with the Soviets. Their actions fast-tracked the U. R's development of nuclear weapons and set the stage for the Cold War. But in fact, there was a fourth spy — code-name "Godsend" — who handed over atomic secrets to Soviet intelligence. This person's identity was concealed from public view until now. His real name was Oscar Seborer, and he worked at the Los Alamos National Laboratory in New Mexico, home of the Manhattan Project wherethe first nuclear weaponswere designed. For decades, Seborer's name languished in relative obscurity, mentioned in a few dozen pages amid tens of thousands of secret documents compiled by the FBI. But once these files were declassified in 2011, they came to the attention of two historians, John Earl Haynes and Harvey Klehr; 70 years after Seborer betrayed his country, his story is finally being told,The New York Times recently reported. I lived in Germany in the early 90’s. A newspaper article at the time stated that the German govt had conducted a long, large, thorough study about the benefits of recycling, something they were world leaders in. (Bottle collection points in every neighborhood, separated garbage etc. ) They came to a disturbing conclusion: • first, that the recycling processes created more pollution than it was supposed to alleviate; • second, that they would continue the same recycling protocols anyway because they make people feel better (virtue signalling high! ). A friend of mine in the 90’s gave me a presentation he was using for his business in the NYC area which featured a 30-minute documentary about Japanese incinerators which his firm was trying to sell in North America. The video was impressive with clear-cut statistics and explanations about how they can burn off 99. 99% of pretty much anything, including plastics, poisons, metals, batteries, radioactive stuff etc. I think at the end of the movie they had a shot of a large incinerator facility with its smokestack emitting hardly anything visible at all, whilst underneath it and on the adjacent property was a children’s playground – because that’s how clean the whole thing is. In any case, I agree with you completely (in response to “Who are the litterbugs? “) that the issue is disposal and the solution is incineration. If only people would stop being sidetracked by impossible monsters to slay (like ‘global climate change’) and instead deal with what can be addressed, like no end of pollution caused by poor disposal methods. Tangentially there are big issues like agricultural pollution from pesticides and antibiotics, but really these are disposal problems too. The solution involves clear policy-making from governments, but since most are beholden to the same large corporations who do most of the damage, unlikely to expect help from that quarter. For myself, I buy used cars and try to be a good person generally (low emotional pollution footprint! ) and figure anything else is a waste of time and worry! Indonesian prosecutors asked a court Monday, December 22, to jail the captain and crew of a boat that attempted to take asylum-seekers to New Zealand for 8 years for people-smuggling. Captain Yohanis Humiang and his 5 crew were taking 65 mostly Sri Lankan migrants to New Zealand when they were intercepted by Australian authorities in late May, who allegedly paid them $32, 000 to return to Indonesia. Claims that Australia made a payment renewed tensions over the issue of migrant boats, which have long been a flashpoint between the neighbors. The boat turned back and arrived near Rote island in remote eastern Indonesia, where the captain and crew are now standing trial. "The defendants, by taking the immigrants to New Zealand, acted for personal gain as they took money from the Australian Navy, " prosecutor Alex Selle told the local district court. Selle also recommended that the accused pay a fine of 500 million rupiah ($36, 200) or face another 6 months in prison. Humiang had testified that he and another senior member received $6, 000 each, while $20, 000 was divided between the remaining 4 crew. The captain claimed he accepted the money and returned to Indonesia because he had not been paid by the people-smuggler who had arranged for the group to travel to New Zealand. Australia's hardline policy of turning back boats has largely stemmed the flow of vessels, but some still try to make the journey A lengthy court battle between former Conservative Party leader Colin Craig and Jordan Williams is over. The Taxpayers' Union director has apologised to Craig and offered to pay compensation after admitting making false allegations. Political reporter Barry Soper broke the story before the 2014 general election. He says five year later, Williams can't compete with Craig's long pockets, so the only way out was to offer and apology and close the case once and for all. The apology means the retrial of Williams' case accusing Craig of defamation won't go ahead. Police have given the all-clear to Otago Boys' High after a threat was made on the first day of exams. Students were earlier told not to turn up to exams, or to check the Facebook page to see if it had been moved to another school. Police have now lifted cordons, after a sweep of the grounds found nothing of concern. Police will remain at the school for the next few hours to provide reassurance. Canberra and Wellington have refused to explain why the state did not prevent Tarrant’s attack despite his many public statements voicing hatred of immigrants, Muslims and socialists, including threats of violence. The New Zealand police and government insist that Tarrant flew “under the radar” and acted alone, despite his claims that he interacted with many extreme nationalist groups and had received a “blessing” for his attack from Norwegian far-right terrorist Anders Behring Breivik. “Four Corners” reporter Sean Rubinsztein-Dunlop posed the question: “How did [Tarrant] manage to fly completely under the radar while planning a mass murder? ” His report suggested that police and intelligence agencies had “underestimated” the threat of white supremacist attacks because they were focused on Islamic extremism; and that they are “drastically underfunded. ” Neither of these explanations stands up to scrutiny. As the “Four Corners” program itself noted, there have been numerous warnings about far-right extremism in Australia and New Zealand, and Christchurch has for decades been known as a centre of neo-Nazi activity. There have been numerous acts of harassment, intimidation and threats against the city’s Muslim community, including the Al-Noor mosque targeted by Tarrant. In 2016 neo-Nazi Philip Arps was fined $800 for delivering a box of pigs’ heads to the mosque. Police have not explained why they did nothing to protect the mosque following this very clear threat. The British High Commissioner should be withdrawn over her factually incorrect meddling in our 250-year national celebration, Hobson’s Pledge spokesman Don Brash said today. British High Commissioner Laura Clarke said: “What we did today, really acknowledged, perhaps properly for the first time, that nine people and nine ancestors were killed in those first meetings between Captain Cook and New Zealand Maori, and that is not how any of us would have wanted those first encounters to have happened. ” The High Commissioner may or may not be aware that the 250-year celebration of visits by Captain James Cook, as well as of the Polynesian navigators who visited here, has become politicised with racist allegations against Cook, ” Dr Brash said. “She acknowledged Cook’s regret over the deaths but failed to acknowledge that he recorded four or five deaths at Gisborne, as recorded in Cook’s diary, instead inflating the number to nine, ” he said. “Unwittingly, the British High Commissioner sided with activists and helped them score a major propaganda point, ” Dr Brash said. “The suggestion that Maori are labouring under any type of pain or hardship as a result of Captain Cook’s arrival has no foundation, ” he said. “The protests suddenly appeared when plans for the 250thanniversary were revealed. The platform was created and the protesters appeared, ” Dr Brash said. In 1642, Maori greeted Tasman’s crew by killing four and eating one of them. Will there be an expression of regret to the Dutch? he said. TheBritish Government should butt out of New Zealand race relations, he said. The report cited the allocation of shares in the commercial fishery as an example with a claim that the settlement iwi rights to fishery quota increased the value of quota by about 45 percent through removing residual uncertainty about the entitlement to fish. Of course, a fair allocation of New Zealand’s commercial fisheries quota would have been to all New Zealanders, as would a fair allocation of water rights, although such concepts are kept well away from any discussion of rights allocations. When the Sapere report was released, the Government would not move from its official position of no national settlement on water rights. Addressing the assertion of iwi rights and interests in fresh water formed a substantial part of an Environment Ministry’s February 2016 discussion document titledNext Steps for Fresh Water. This document introduced the terms “Te Mana o te Wai”, which sets principles proposed for the National Policy Statement for Freshwater Management, and “Mana whakahono a rohe”, which provides for iwi to enter into agreements with councils on how Maori can better participate in decisions on fresh water. Both concepts were written into law through the Resource Legislation Amendment Act passed on April 6, 2017. This Act forces all councils throughout New Zealand into power-sharing agreements with local iwi. Tradable water rights surfaced in discussion again with the emergence of opposition to exporting bottled water to China for no charge. An Ashburton group called Bung The Bore led by Jen Branje spearheaded the movement that drew much support from people in Havelock North, after a deadly water contamination there in 2016 forced many to buy bottled water. Freshwater Iwi Leader Group technical adviser Tina Porou’s statement that iwi leaders are focussing on water responsibilities and use, mentioned earlier, diverts attention from the group’s detailed justification for water ownership, circulated two years ago, which demanded: Transfer of title to river and lake beds and the water column to tribal in fresh water consistent with Waitangi Tribunal aranteed of allocation of fresh water for all marae and marae water infrastructure for maraes and marae participation at all levels of fresh water decision-making. A $1-billion capacity-building involvement in resource consents or an allocation of tradeable water rights. However, the Resource Legislation Amendment Act implements the demand for tribal decision making on water and involvement in resource consents. The Freshwater Iwi Leaders Group appears to be proceeding within that framework, adding the new term Te Mana o te Wai to their public comments. As a matter of interest, iwi water rights claimants routinely ignore 19th century sale and purchase deeds which show that the chiefs sold the water, along with rivers, lakes, and streams, trees, minerals, and all appertaining to the land or beneath the surface From Constantinople to Antioch, Bohemond was a stand out among the leaders of theFirst Crusade. Bohemond's reputation as an effective strategist and leader came from his fighting experience in the Balkans when he took charge of his father's army against Emperor Alexios (1082-1085).There Bohemond became familiar with various Byzantine and Muslim strategies, including an encircling strategy used by Turkish forces at the siege of Nicaea. Mounted archers would encircle the crusader force, who would be unable to retaliate using close combat weaponry. Bohemond's familiarity with this Eastern strategy allowed him to adapt quickly leading to crusader victories through Antioch. The Emperor's daughter,Anna Comnena, leaves a portrait of him in herAlexiad. She met him for the first time when she was fourteen and was seemingly fascinated by him, leaving no similar portrait of any other Crusader prince. Of Bohemond, she wrote: Now the man was such as, to put it briefly, had never before been seen in the land of the Romans, be he either of the barbarians or of the Greeks (for he was a marvel for the eyes to behold, and his reputation was terrifying). Let me describe the barbarian's appearance more particularly – he was so tall in stature that he overtopped the tallest by nearly one cubit, narrow in the waist and loins, with broad shoulders and a deep chest and powerful arms. And in the whole build of the body he was neither too slender nor overweighted with flesh, but perfectly proportioned and, one might say, built in conformity with the canon of Polycleitus... His skin all over his body was very white, and in his face the white was tempered with red. His hair was yellowish, but did not hang down to his waist like that of the other barbarians; for the man was not inordinately vain of his hair, but had it cut short to the ears. Whether his beard was reddish, or any other colour I cannot say, for the razor had passed over it very closely and left a surface smoother than chalk... His blue eyes indicated both a high spirit and dignity; and his nose and nostrils breathed in the air freely; his chest corresponded to his nostrils and by his breadth of his chest. For by his nostrils nature had given free passage for the high spirit which bubbled up from his heart. A certain charm hung about this man but was partly marred by a general air of the horrible... He was so made in mind and body that both courage and passion reared their crests within him and both inclined to war. His wit was manifold and crafty and able to find a way of escape in every emergency. In conversation he was well informed, and the answers he gave were quite irrefutable. Andrew Littleannounced: The Government is taking action to protect New Zealand from foreign interference in our elections by banning foreign donations to political parties and candidates, Justice Minister Andrew Little announced today. No they’re not. His very first line is a lie. Foreign donations over $1, 500 are already banned. They are merely changing the level from $1, 500 to $50. The level is a de minimis level recognising that it isn’t practical to check the residency status of every single person who say attends a dinner, or makes a minor donation. As far as I know the number of donations between $50 and $1, 500 from foreign individuals to political parties is near zero. The change is cosmetic. $1, 500 was probably too high. $50 is too low. But either way it is not a new ban. It is a mere change in threshold. The real issue with this bill is that the Government has said it will pass it through all three stages today under urgency. That is outrageous. There is no reason it should bypass select committee scrutiny and shame on the Greens for supporting ramming it through under urgency. Some Government apologists have tried to claim it must be done under urgency tonight to stop a rush of mythical foreign donations flowing through before the law takes effect. But the apologists haven’t evenread the bill. It doesn’t take effect until 1 January 2020 so passing it tonight under urgency still means you could have the imaginary flood of donations occur. The other thing worth noting is that this law change doesn’t stop the NZ First Foundation from receiving unlimited foreign donations, and then using those funds to loan money to NZ First or possibly pay expenses on their behalf. If the bill went to select committee an amendment could be considered that would extend the ban (over a certain level) to foundations established by political parties to fund them. But Labour and the Greens don’t want to do anything about any foreign donations to the NZ First Foundation, so they’re rushing it through under urgency. Shame. Family First says that the trend to extend daycare times, and its role to be virtually de facto parents, is concerning, ignores the real needs of children, and reinforces the need for more support to be given to parents with young children. “Babies are spending more time in daycare than primary age children are expected to spend at school when they first start. Our babies and toddlers are being used in a massive social experiment and policymakers are too scared to ask the hard questions around whether this is in the best interests of both the child and the family, ” says Bob McCoskrie, National Director of Family First NZ. “Governmentstatisticsreveal that there has been a significant increase in the numbers of babies and toddlers in childcare and length of time they are spending there, with some babies in daycare longer than a normal working week for adults, yet the government is ignoring the real concerns of whether this is good for very young children and babies. ” And apollin 2017 found that 3 out of 4 New Zealanders believe that children benefit from having a full-time parent at home, and a majority also believes that the Government should subsidise these family arrangements in the same way that they are currently subsidising early childhood education. Approximately 25% of 0-2 year olds in daycare attend for longer than 30 hours per week, with more than 10% being there longer than 42 hours each week – longer than a 40-hour 8-hours-per-day working week. But the trend over the past decade is also alarming. The proportion of babies and toddlers in long periods of childcare has, on average, tripled since 2000, with the proportion of 0-1 year olds attending for longer than 42 hours higher than 3 year olds. “With government spending on early childhood education being more than $1. 7b per annum, it is essential that the benefits of the investment in ECE are weighed against the real needs of very young children & babies and their families. ” “The findings in the Brainwave Trust’s 2016reportChildcare: How are the Children Doing?echoed the same concerns Family First raised in 2012 with ourreportWHO CARES? : Mothers, Daycare and Child Wellbeing in New Zealandwhich argued that attending daycare for an extended time and the consequent separation from parents is a significant source of stress for many young children which could have potential long-term consequences for their mental and physical health as adults. As stated in “WHO CARES? ”,daycare continues to be evaluated by later child outcomes in terms of ‘skills’ such as language or ‘school readiness’. But what has proved elusive is an understanding of how the young child is affected emotionally and physiologically, and how they experience daycare while they are actually there. Babies can’t speak and toddlers have limited verbal abilities. However, a new generation of research from the biosciences is starting to provide an insight into the real-time effects of daycare. These findings are at odds with the information most policymakers and members of the public have been exposed to. Moreover, there is no mention of this evidence by either the Ministry of Education or the Education Review Office (ERO), which regularly monitors New Zealand’s childcare centres. The Brainwave Trust’s report stated; “Although the evidence suggests that some high quality childcare may benefit children over 3 in certain circ*mstances, this does not mean that starting earlier and attending for longer hours is also beneficial. In fact, our research indicates that there may be risks involved with non-parental care “too early” and “for too long each day”. ” “There is growing evidence of profound beneficial neurobiological effects a mother’s physical presence has on her young child that cannot be achieved by anyone else including paid childcare workers. Mothers have been undervalued, and many parents use daycare because they simply can’t afford not to, ” says Mr McCoskrie. “As stated in our 2012 report, full-time parenting should be seen as a child’s right, and any discussion of daycare should cease communicating what is assumed adults are interested in and instead make judgments about what is likely to be in children’s best interests. New Zealand should also undergo a timely and long overdue re-evaluation of motherhood, ” says Mr McCoskrie. “The political and policy focus has been on the needs of the economy and the demands on working mothers, rather than on the welfare of children and the vital role of parents. ” The image of an 18-week unborn baby from Life magazine’s stunning 1965 photo-spread is being hailed as the photograph of the century. “In full colour and crystal clear detail, the picture showed a foetus in its amniotic sac, with its umbilical cord winding off to the placenta. The unborn child, floating in a seemingly cosmic backdrop, appears vulnerable yet serene. Its eyes are closed and its tiny, perfectly formed fists are clutched to its chest. ” Yep – looks human to us. What’s it look like to politicians? The description comes as a surprise from The Guardian, a left-wing British publication that supports abortion on demand. Its article celebrating the photograph tried to make excuses for abortion even as the images openly displayed the inherent humanity of babies in the womb. The celebrated photograph was taken by Swedish photojournalist Lennart Nilsson and published in the April 1965 edition of Life under the title “Drama of Life Before Birth. ” That issue became the “fastest-selling copy” of the magazine in the history of its publication, according to the report. Its eyes are closed and its tiny, perfectly formed fists are clutched to its chest, ” the report described. The photo is one of several showing unborn babies in the famous magazine layout. They were published at a time when the abortion debate was beginning to boil and ultrasound technology was still extremely limited. His photos captured the humanity of unborn babies in amazing detail, in both black and white and color. Another photo of a 20-week unborn baby shows vivid details of the baby’s face, including the tiny veins in his/her eyelids and feathery hair growing across the forehead. Another photo of a 13-week unborn baby shows the amniotic sac and placenta surrounding a tiny baby with already distinguishable fingers and toes, eyes, ears and ribs. When archaeologists excavated an unusual Viking grave site in Norway, they dug up two bodies … along with the remnants of two massive boats. After hundreds of years underground, only remnants of the wooden vessels remained, but the excavation team could tell the two boats had been stacked atop each other.Vikingburial sites often feature boats, with some even boasting two buried near each other; but boats buried inside each other are "essentially an unknown phenomenon, " Raymond Sauvage, an archaeologist at the Norwegian University of Science and Technology University Museum,said in a statement. The boats' occupants only added to the mystery of the burial site. The top boat, a vessel about 24 feet (7 to 8 meters) long, contained the remains of a woman surrounded by a collection of ornaments, including a pearl necklace, two pairs of scissors, part of a spindle and an entire cow head. The woman’s remains were adorned with two shining brooches, one shell-shaped and one in the shape of a crucifix. The State of Virginia, now entirely run by truly insane Democrats who support infanticide and child murder, is proposing a new 2020 law known as SB64 (see link here) which will be taken up by the Democrat-run Senate beginning January 8, 2020. The law would instantlytransform all martial arts instructors into criminal felons. This includes instructors who teach kickboxing, BJJ, Krav Maga, boxing and even Capoeira. It would also criminalize all firearms training classes, including concealed carry classes. It would even criminalize a father teaching his own son how to use a hunting rifle. Specifically, the law says that a person “is guilty of unlawful paramilitary activity” (a class 5 felony) if that person: “Assembles with one or more persons for the purpose of training with, practicing with, or being instructed in the use of any firearm, explosive, or incendiary device,or technique capable of causing injury or death to persons…” The phrase “technique capable of causing injury or death to persons” covers all forms of martial arts and self-defense training, including Krav Maga, BJJ, boxing and other contact martial arts such as Tae Kwon Do or Tai Chi. Under the proposed law, all forms of self-defense training — including hand-to-hand martial arts training — would be considered “paramilitary activity, ” even if the training consists ofprivate classesinvolving just one instructor and one student. That’s because every form of martial arts training imparts skills which could be used to cause injury to other persons. In fact, according to the language of the law, just “one” person learning such arts is a felony crime, which means thatwatching a DVD on Krav Maga would be a felony crime. The man accused of murdering Maketū toddler Nevaeh Ager is seeking to be tried on a raft of other charges separately from his murder trial. The Bay of Plenty man faced a murder charge in the Tauranga High Court today when he briefly appeared in court via an audiovisual link from prison. The murder charge was laid by police after the 2-year-old's body was found on tidal flats at Little Waihi on March 21. The man, who has interim name suppression, has also denied nine other charges. These relate to alleged assaults against police officers, possession of an offensive weapon, resisting a police constable, common assault and wounding with intent to cause bodily harm, and wounding with intent to injure. The man has also been charged with causing grievous bodily harm with reckless disregard which relates to a further allegation of assaulting a police officer on February 5. The rest of the other nine charges relate to alleged separate offending earlier this year. The defendant's lawyer Nicholas Chisnall told Justice Graham Laing that his client was seeking to have the other nine charges heard separately from the murder charge. Crown solicitor Anna Pollett opposed the severance application. She said the Crown wanted to have all the charges joined and heard together at the accused's murder trial set down to begin in the Rotorua High Court on October 19, 2020 Chinese police lead a condemned man into a special execution van, where he will be put to death immediately following his sentencing by the court, in Xian, central China's Shaanxi province, 28 July 2005. An anti-capital punishment group reported at least 5, 000 of the 5, 476 known executions worldwide in 2004 were held in China, a while the actual number of executions in China remains a closely guarded state secret, the Beijing government insists it needs to maintain a tough line on crimes. But there will be nothing ordinary about Yong's death by lethal injection. Unless he wins an appeal, he will draw his final breath strapped inside a vehicle that has been specially developed to make executions more cost-effective and efficient. In chilling echoes of the 'gas-wagon' project pioneered by the Nazis to slaughter criminals, the mentally ill and Jews, this former member of the China People's Party will be handcuffed to a so-called 'humane' bed and executed inside a gleaming new, hi-tech, mobile 'death van. ' After trials of the mobile execution service were launched quietly three years ago - then hushed up to prevent an international row about the abuse of human rights before the Olympics last summer - these vehicles are now being deployed across China. The number of executions is expected to rise to a staggering 10, 000 people this year (not an impossible figure given that at least 68 crimes - including tax evasion and fraud - are punishable by death in China). Developed by Jinguan Auto, which also makes bullet-proof limousines for the new rich in this vast country of 1. 3 billion people, the vans appear unremarkable. They cost £60, 000, can reach top speeds of 80mph and look like a police vehicle on patrol. Inside, however, the 'death vans' look more like operating theatres. Executions are monitored by video to ensure they comply with strict rules, making it possible to describe precisely how Jiang Yong will die. After being sedated at the local prison, he will be loaded into the van and strapped to an electric-powered stretcher. This then glides automatically towards the centre of the van, where doctors will administer three drugs: sodium thiopental to cause unconsciousness; pancuronium bromide to stop breathing and, finally, potassium chloride to stop the heart. The vans save money on building execution facilities in prisons or courts. And they mean that prisoners can be executed locally, closer to communities where they broke the law. Movie watch chinese portrait full. Movie watch chinese portrait series. Movie watch chinese portrait 2016. Movie watch chinese portrait app. When she said hey I immediately thought of hey I think moto moto likes you I like em big I like em chunky. Attendez c'est une crotte de nez ou un piercing qu'elle a. Movie watch chinese portrait movie. MOVIES 5:30 PM PDT 3/17/2019 by Courtesy of HKIFF A subjective gaze at the state of contemporary China. Chinese auteur Wang Xiaoshuai reconstructs his and his country's past through images of cities, factories and trains filmed throughout the past decade. A ceaseless stream of tableaux showing how people study, work, pray and worry in cities and villages across China in the last 10 years, Chinese Portrait makes an offbeat addition to acclaimed director Wang Xiaoshuai's filmography and is the first full-length documentary in his career. It also sums up what he has been trying to achieve in three decades of highly varied fictional features. True to both its English and Chinese ('My Lens') titles, Chinese Portrait is a subjective and utterly revealing snapshot of the state of Wang's country. Devoid of voiceovers, dialogue or onscreen descriptions, Chinese Portrait has made much fewer waves among buyers and programmers (it bowed in Busan, then IDFA) compared to the director’s more accessible fictional titles. But the success in Berlin of his feature So Long, My Son, which won best actor and actress awards last month, has given the documentary a new lease on life. Cinema Guild has picked up U. rights and is set to release the film theatrically later this year. With its powerful, panoramic survey of a society in transformation — consider this the earnest, narrator-free equivalent of Patrick Keiller's sardonic Robinson film trilogy — the doc provides a key to understanding Wang and the sixth-generation Chinese filmmakers of which he is a part. It fits into a growing number of unconventional Chinese documentaries driven by the cutting and remixing of existing material, like Zhu Shengze's Rotterdam winner rfect or Lei Lei's Berlin Forum title Breathless Animals. According to Wang, Chinese Portrait was born in 2009 out of his urge to pay tribute to the work of his painter friend Liu Xiaodong. Director Jia Zhangke had previously highlighted Liu in his more conventional documentary Dong in 2006. Here, instead, Wang travels up and down China, creating his own cine-paintings from people leading their everyday lives. The predominant style of Chinese Portrait is static shots in which subjects — miners, fishermen, students, passengers on a train — pose for Wang's camera. In one clever shot, the posing is double: Amid the wreckage of the Sichuan earthquakes, he films young women posing for a painter (presumably Liu) on the edge of the screen. Many of the scenes in Chinese Portrait focus on labor. There are farmers cultivating potatoes in a field; technicians monitoring a steel furnace; an army of workers stationed at sewing machines on a shop floor; and office workers in suits staring into rows of computers which seem to go on forever. But there are also nods to China's post-industrial landscape, depicted in retired workers visiting the emptied shell of their soon-to-be-demolished factory, a showroom with models of future skyscrapers and vast shopping arcades looming large over hawkers and pedestrians. The enormous cultural and economic disparity in China is vividly revealed in Wang’s scenes of rural life and Valérie Loiseleux's telling editing. Impoverished kids in the arid western hinterlands line up outside their made-in-mud schools, in sharp contrast to classrooms in metropolitan universities. A shot of people idling outside rickety huts is followed by young uniformed chefs taking a break in the back of city noodle restaurants. There are even visual collisions within the frame, as when traditional ethnic-minority musicians perform in a modern downtown car park. These juxtapositions hint at Wang's thoughts about the direction China is heading and how its different communities fare amidst such changes. But Chinese Portrait also marks the director's own rite of passage in life. He appears onscreen in shots filmed in Tiananmen Square, where the military clampdown on pro-democracy movements in 1989 shaped the worldview of Wang's generation of artists and filmmakers. We see him again on a train, which probably represents his memories of his family being "sent down" from Shanghai to China's southwestern backwaters during the Cultural Revolution, and then again outside a crumbling factory from the industrial urban landscapes he grew up in as a teenager. More than just chronicling a country in transformation, Chinese Portrait signals seismic shifts in cinema as well. The differences in textures and aspect ratios of the different scenes reveal the universal leap of filmmaking from analog to digital, as grainy 4:3 aspect ratio shots sit alongside sharp, widescreen vistas. Demanding attention, imagination and critical viewing from the audience, Chinese Portrait is nevertheless one for posterity. Production companies: WXS Productions, Dongchun Films (Beijing), Chinese Shadows Director: Wang Xiaoshuai Producers: Isabelle Glachant, Liu Xuan with Liang Ying Executive producers: Qian Yini Director of photography: Wu Di, Zeng Jian, Zeng Hui, Piao Xinghai Editor-sound designer: Valérie Loiseleux Sales: Asian Shadows In Mandarin 80 minutes. Full movie vodlocker. Watch Chinese Portrait English Film Read more on the website Chinese Movies. Movie watch chinese portrait images. I have reviewed approximately 150 movies in 2019. that has got to be my personal record. time really slips by when you spend most of your days being a complete recluse. i saw a lot that were good, and a lot that were bad. as usual at the beginning of the year, i can reward my readers by recommending films that i love, and get revenge by steering them away from the ones that i hated. since Moses brought the tablets down from the mountain, lists have come in tens, not that we couldn't have done with several more commandments. i'll do my part in listing ten of my picks for the Best and Worst films of the year, and you can join in by listing what were the best and worst parts of your 2019. be it with movies, games, books, or general life experiences. The Best Films of 2019: 10. The Irishman Martin Scorsese's film about Frank Sheeran (Robert De Niro) tells an authentic account of his time in the mob in a virtuoso combination of drama, comedy and documentary. Sheeran is eventually introduced to Russell (Joe Pesci), the head of the northeast crime family. he slowly gets on his good side, and begins to do jobs for him, including murders. also present is the head of the International Brotherhood of Teamsters Jimmy Hoffa (Al Pacino). with his best collaborators returning, Scorsese finds a different style, milieu and purpose, and his movie is interesting both for its characters and its wealth of information. 9. Midsommar even with this being Ari Aster's second feature, he shows his consistent visual awareness for each unfolding scenario. the story involves anxiety-afflicted college student Dani (Florence Pugh), who tags along with her friends to attend a midsummer celebration in northern Sweden. the customs of the village's commune is innocent upon first glance, but nature itself quickly begins to seem oppressive and dead; they find ominous signs. increasingly violent and bizarre competitions surround the cult's frail victims. it's a miraculous achievement of both storytelling and visual mastery, with a plot so intrinsically thrilling that you can't even attempt to second-guess what lies ahead. 8. The Souvenir Joanna Hogg's heartfelt drama is so gloriously perverse in its obstinacy that it rises to a kind of mad purity. the film is a semi-fictionalized version of Hogg's experiences at film school. Honor Swinton Byrne stars as Julie, a young wealthy woman attending film school who meets and develops an unknowingly destructive relationship with a secretive older man, Anthony (Tom Burke) who encourages her ambition. he seamlessly becomes a part of her daily life and moves in with her, and the two begin a rather sincere courtship, until Julie learns unexpectedly about Anthony's drug addiction. he is often absent without explanation, and becomes increasingly unmanageable. the movie provides a rich, moody memory of life in the city of Sunderland. there isn't a set time frame, but there doesn't need to be. the plot is timeless, and it has a subtly sensual undertow. 7. The Farewell a striking psychological portrait of grief without the acceptance. Lulu Wang’s film wistfully provides a record of aspiring Chinese-American writer Billi (Awkwafina), who maintains a close relationship with Nai Nai (Zhao Shuzhen), her paternal grandmother in China. Billi's parents reveal that Nai Nai has been diagnosed with terminal lung cancer, and is predicted to have only a few months left to live. out of respect, the entire family makes a decision to keep the diagnosis a secret. Wang has a hard-headed approach when she identifies the themes of this story. not only does she visualize key points with immaculate perplexity, but she also attaches clarity and conceptual awareness to every character. also noteworthy is Awkwafina's miraculous leap into drama, and the imperative control she has with her performance. this is a film geared by warmth and sincerity, with the director in full control of their craft. 6. Once Upon a Time in Hollywood Quentin Tarantino’s pumped up view of history feeds off of the Tate-LaBianca murders that became big news in the press during 1969. it's a biopic only in the sense that it's about his own characters: actor Rick Dalton (Leonardo DiCaprio) and his trustworthy stunt double Cliff Booth (Brad Pitt). we're taken through a whole world of 60s television acting, following Dalton and Booth as they sludge the hours away during their day-to-day lives. a large portion follows Rick and his difficulty working in an industry that flaunted its way towards experimentation. for a Tarantino movie, it's quite reserved, standing clear of violent action sequences and forensic content. his movie keeps its footsteps light for about two hours, and then drops the hammer. the closing sequence is well worth the wait, even if it's not the most accurate. 5. Parasite Bong Joon-Ho's painful film showed desperate people reaching out from the roles they were trapped in. it centers around the Kims, who try to provide for themselves while struggling to find well-paying jobs. they eventually find an opening with the Parks, a much more wealthy and luxurious family. the Kims begin to pose as house servants, and get a better glimpse at the high life. Bong Joon-Ho doesn't simply manipulate situations for shock value, but rotates them like specimens under a microscope, to see how they looked from various angles. his film is deservedly comical, but not timid in the exploration of human extremes. 4. The Lighthouse one of the most bizarre yet fitfully dynamic movies i’ve seen all year. Robert Eggers surrounds us with the presence of a profound, disturbing, and ominous island off the coast of New England in the late 18th century. when a contracted wickie (Robert Pattinson) is sent to the island for a month, he's taken under the supervision of an irritable elderly man (Willem Dafoe), who spends a lot of the time being a complete drunkard. the film contains extreme irritability and restlessness, and succeeds in revealing the darker parts of the human psyche that most people may repress or deny. Eggers has distilled the strengths of "The Witch" into something even more singular and strange. 3. Uncut Gems a constantly-on-the-move urban thriller from the New York filmmaking duo Josh and Benny Safdie. with a serious and surprisingly hectic Adam Sandler in the lead, “Uncut Gems” knowingly agitates one’s senses; we’re gloriously suffocated in dark alleys, grimy bachelor pads and the florescent-lit backrooms of jewelry stores. we follow a semi-neurotic businessman/scammer named Howard Ratner (Sandler) in the midst of a crumbling marriage and an escalating scheme that involves a valuable stone as his newly acquired precious possession. Howard goes to extremes in trying to keep a predictable tragedy at arm’s length. 2. Portrait of a Lady on Fire in Céline Sciamma’s remarkable film, the ache that drives its characters’ passion is love. it stars Noémie Merlant and Adèle Haenel as two women who begin a casual and innocent acquaintance that suddenly ripens into a deep affection by which both are shaken and shocked. for a brief spell, they spin in the bewilderment of conventions and their own emotional ties. while there have been plenty of movie romances not unlike this, there's never been one told in such an ambitiously immersive way. the film is so exquisitely composed and inked with deep, rich oil painting-like colors that many times it does look like a series of portraits. it is a quiet movie, shaken from time to time by ripples of emotional turbulence far beneath the surface. Marriage Story uniquely, Noah Baumbach's painful and funny film is a love story told through the lens of a divorce. Adam Driver and Scarlett Johansson star, bringing two of the finest performances i've seen all year. the movie generates a sadness that is palpable, because it takes such chances, goes so deeply, and explores the human comedy for its tears. it's a story about two desperate people using love as a last resort against their pain. Baumbach makes sure to leave clichés far behind, and the movie becomes about these specific characters and exactly who they are. the result is an unforced authenticity: Driver and Johansson really seem present, living their lives in a city whose indifference is one of its charms. this year, very few movies have been as effective to me as this one has, because it is able to accept reconciliation. the year 2019 was not, by general agreement, one of the great years in recent cinema, but it had its share of films that tried hard to be better and different. in addition to the titles already listed, let us not fail to pay honor to the following movies, any of which i would gladly see again: Us The Beach Bum Under the Silver Lake Booksmart John Wick: Chapter 3 – Parabellum Gloria Bell The Peanut Butter Falcon Ready or Not Little Women Knives Out Joker and now we've come to the bottom, both figuratively and literally. categorized by movies that turned out to be disappointments, or movies that just flat out stink, here are The Worst Films of 2019: 10. The Intruder 9. Cats 8. The Fanatic 7. Playing With Fire 6. Little 5. Countdown 4. Jexi 3. Black Christmas 2. A Madea Family Funeral 1. Sextuplets you might be wondering why i decided to leave descriptions out of the worst list. it's quite simple, actually: those are films to take up valuable mental real estate that could be used for a more positive purpose. i haven't really given those much thought after i reviewed them, and i'm not going to start now. Did hi trust them. Very naive. I can draw like that until 14:36 without following tutorials. Just by looking at a reference and trying to capture what I see. But then after that when you start blending and getting in more detail, that's where my capabilities are. yet. Do you think it is good to be drawing that without any lessons and just by drawing on and off. Imagine my dad watching live this painting and sneezing. Movie watch chinese portrait 3. Movie watch chinese portrait english. Que hermosa fotografa! 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The director captures the state of his nation, by static filming one or more people in more or less motionless poses. No narrative, just portraits. Plot Summary Add Synopsis Details Release Date: 13 December 2019 (USA) See more » Also Known As: Chinese Portrait Box Office Cumulative Worldwide Gross: $2, 758 See more on IMDbPro » Company Credits Technical Specs See full technical specs ». Movie watch chinese portraits. “Do you have time? ” For you Princess TingTing, I have all the time in the world. 💜 Thank you for the tingles, Ive been struggling with sleep recently and this is exactly what I needed. Movie watch chinese portrait studio. Movie Watch Chinese portrait social. Her: yeah now im going to paint youre eyes Me: i don't think you can see my eyes there already closet🤭🤪. Tu est vraiment magnifique comme toujour je y adore marie 💗💕💘💓💖. Author - Gabriel Tate Resume: Picker. Grinner. Lover. Sinner. Man of neither wealth nor taste. 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But when he starts to fall in love with Bea (Rose Byrne, ) a real lover of all nature, his feelings towards them begin to change. But is it too late? Written by Jude Gordon Plot Summary | Plot Synopsis Taglines: He's got a taste for adventure. See more » Details Release Date: 9 February 2018 (USA) Also Known As: Peter Rabbit Box Office Budget: $50, 000, 000 (estimated) Opening Weekend USA: $25, 010, 928, 11 February 2018 Cumulative Worldwide Gross: $351, 266, 433 See more on IMDbPro » Company Credits Technical Specs See full technical specs » Did You Know? Trivia Brazilian group Rouge was invited by the film's studio to do new versions of songs "I Promise You" and "Small As Your Dreams" in Portuguese. Their song "Bailando" is also featured in the end credits of the film. See more » Goofs While the animals are hiding from McGregor, Peter tells the badger, "Just because you can't see him, doesn't mean he can't see you! " Only the duck has seen the car pulling up in the driveway. 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Release Date: 2/7/2020 Genre: Drama Studio: Music Box Films Rating: Release Dates: Country Release Type Date United States Theatrical Wide Release 2/7/2020 I'm here because everybody keeps saying Dancing on my own is the song of the Decade but Honey is better than Dancin on my own. This song is a pop masterpiece - right here. Detective and then we danced away. ♥ ♥ ♥ ♥ Wrinkled, jumpy poster for Nic Pizzolato and Cary f*ckunaga's True Detective, indicating the America we meet in the series True Detective is HBO's 8-episode TV-series smash hit from earlier this year, an American outskirts crime show of a complicated case of grisly murders. The whole series is written and created by Nic Pizzolatto ( The Killing (2011)) and directed by Oakley-born Cary f*ckunaga ( Sin Nombre (2009)). In Louisiana in the 1990's, State Police Detective Marty Hart ( Woody Harrelsen ( Kingpin (1996)) gets a new partner in Rust Cohle ( Matthew McConaughey ( Mud (2012)), an intense nihilist, who has previously spend 4 years as an undercover narc agent. They team up on a shocking new case, where a young woman has been brutalized and left out in the open in a mystifying staging with antlers on her head. The series jumps in time from what is at first its main stage (the 90's investigation) to some interrogations of Hart and Cohle in contemporary time, where they talk mysteriously about the case, - and we never learn exactly for what reason they are being questioned about it. The time-lines are a little confusing, but the series is generally very well-paced, never rushed, and well-written as well. We also follow the two protagonist detectives in their private lives, in which Hart's infidelity SPOILER leads to a divorce from his wife ( Michelle Monaghan ( Eagle Eye (2008))), while Cohle lives a reclusive, unusual life of hard recognitions. While Hart's wife's protestations are tiring at times, and Cohle's solemn, glum speeches about the circulating nature of time and other things he believes are true become boring a few times, we can revel in great, cinematic photography by Adam Arkapaw ( Lore (2012)) and a buzzing, vibrant, modern score and great opening song by T Bone Burnett ( Walk the Line (2005)). The series has many high-points and a real talent for creating cliffhangers. When the suspect is finally found in a dangerous, wild compound, he SPOILER gets shot. But our friends later find that he may not have been the bad guy they were looking for. - Bad guys abound in True Detective, in which America's backbone gets examined and comes out rotten to its core; full of drug-dealers, gang violence, dirty religious enterprises, child molesters, meth-junkies, fanatics, gun craziness, ruthless bikers, whor*s, occult nuts and sexual freaks. The details: Both leads have good roles here; the series becomes another notch in McConaughey 's belt of his incredible comeback over the last years; but for me it was especially Harrelson who impressed as the untangling, lead-bellied family father who just can't keep his dick in his pants. His performance is a reason to see True Detective in itself. As the series continues, we move up to present day, where Cohle is continuing the investigation from outside the force, in a garage, aiming at a suspect, Christian Tuttle-foundation with ties to the State Senator. He convinces Hart to join the investigation, and they soon find out - by various unlawful methods, - that the real perpetrator SPOILER was under their, and our, noses all along, sitting on a lawn mower. In the end, they go in alone to get to the bottom of the horrifying Childers' house and 'church'. Severely wounded, they both manage to get out with their lives, while taking the 'monsters'' ditto, and as the series fade out, they contemplate the darkness in the world beneath the stars outside the hospital, concluding, looking up, that light is gaining power, but that darkness is still immense. True Detective is very good television, in the vein of The Silence of the Lambs (1991), but without that film's psychological depth, and Se7en (1995), without its Biblical references; it deals with some of the mess in modern society in an entertaining way, but doesn't get to the root of any of the problems it presents; in this way, it is a little showy, overrated and confusingly broad in its scope, pointing to nothing, essentially. It may or may not get more consequential in its second season, which will have a completely new cast and story, as well as several directors, but will still be written by Pizzolatto. The stars of the coming season include Colin Farrell, Vince Vaughn, Taylor Kitsch, Kelly Reilly and Rachel McAdams. Best episodes: Episode 3: SPOILER The proposed perpetrator, Reggie Ledoux is found donning a gas-mask on his property in one of the series' best cliffhanger-endings of all. Episode 4: Hart's unfaithfulness gets consequences, while Cohle goes undercover with his former identity 'Crash', and a robbery in a black slum neighborhood explodes in perplexing violence. Episode 8: After the two now private detectives have harassed some truth out of a sheriff (using a sniper rifle among other means), they find and search out the somber Childers' house and 'church'. Woody Harrelson gives one of his best performances in Nic Pizzolatto's True Detective Matthew McConaughey makes beer can people and gets a little long in the tooth at times in Nic Pizzolatto's True Detective What do you think of True Detective? Detective and then we danced video Detective And Then We danced. Detective and then we danced lyrics Kochag LC. Detective And Then we dance. And We Danced Macklemore Ooh, leah, ooh, leah, ooh, leah And we danced And we cried And we laughed And had a really, really, really good time Take my hand, let's have a blast And remember this moment for the rest of our lives Our lives (our lives) Our lives (our lives) Oh, oh, oh, oh (oh, oh, oh, oh, oh) Tonight (tonight) Tonight (tonight) Tonight 'Cause tonight's the night Am I right? Dance Feels like the night for a party My nature's so naughty There's a knock on the door It's the neighbors Quit co*ck-blocking We're having a ho-down, you hoes down? Don't let me pull my hose out 'Cause it's big, long, pink, strong And been known to dance, like, all night long DJ, grab my hand, play this song DJ, save my life, come on Leave your fear, back off the wall Free of beat and puss* pop And if you don't have a puss* Pop a co*ck into a booty Into a booty, yay, yay And we danced (oh) And we cried (oh) And we laughed (oh And had a really, really, really good time (oh Take my hand (oh) let's have a blast (oh) And remember this moment for the rest of our lives I am not, I am not going to stand on the wall I will dance, I will dance, I will break that ass off And I see you in the corner, corner looking so small Doing the robot like, if I die tonight, at least I went hard I will not, I will not give a damn who watches me I will live, I will live, liberate the fox in me I will be the discoball Freakin' give my all To whatever girl's booty I'm freaking on I'm not skeeting, nah It's just freaking hot Alright, I skeeted I will not be a mannequin (no) The ego banished The roof's on fire Let's burn down the Vatican I will moon walk to Pluto in honor of Michael Jackson In heaven he'll be saying that man is tight at dancing Rip to the king, Michael Jackson, we learned it all from you Dedicate this to the dance floor Party up the sorrow 'til tomorrow morning happens We pledge allegiance to the DJ Put your hands up And we danced (oh) And we cried (oh) And we laughed (oh) And had a really, really, really good time (oh) Take my hand (oh) let's have a blast (oh) And remember this moment for the rest of our lives You see me looking at you from that bar right over there But your friends are huddled up and they are hating on a player I just want to dance with you Get on the back of you Tip tap the boots Extract the truth Da-dance with you Get on the back of you Da-dance dance dance Awesome Oh-ee, oh-ee, oh (Oh-ee, oh-ee, oh) Hey-oh, hey-oh (Hey-oh, hey-oh) Uh-ah-ba-bo (Uh-ah-ba-bo) Zib-oh-da-we-bab-ba-dap-bop-bop (Zib-oh-da-we-bab-ba-dap-bop-bop) Go, go, go, go, go go Ladies, I just wanna dance with you I just wanna dance with you, come here Go go, go, go, go, go I just wanna dance with you, I just wanna dance with And we danced And we cried (oh-ee, oh-ee, oh) And we laughed And had a really, really, really good time (hey oh, hey-oh) Take my hand, let's have a blast And remember this moment for the rest of our lives. And Then We Danced DANCE AS SOCIAL ENTRÉE 1. THE INSTRUCTOR, AN ATTRACTIVE, WELL-DRESSED woman of a certain age named Jean Carden, looks out at a group of forty boys and girls aged nine to fourteen. We’re at the Gathering Place, a large, antiques-dappled catering hall in a sleepy town in North Carolina called Roxboro (pop. 8, 632), and the kids are all dolled up: the boys are in blue blazers, neckties, and khakis, and the girls are in party dresses and white gloves. The young folks’ collective mood is a study in agitated boredom—imagine a DMV for people who still drink juice out of boxes. In her honeyed Southern drawl, Carden asks the group, “Do you all recall how to sit pretty? Who’s going to sit pretty for me? ” An intrepid eleven-year-old boy raises his hand, and then, given the go-ahead by Carden, awkwardly motions to his partner to take her seat. As the boy lowers himself into the chair beside hers, he remembers to unbutton the top button of his jacket, as instructed. Carden commends him warmly and then asks the group, “Now, who would like to demonstrate escort position? ” * * * This is a cotillion, as offered by the National League of Junior Cotillions, an organization established in 1989 with the purpose of teaching young folk how “to act and learn to treat others with honor, dignity and respect for better relationships with family, friends and associates and to learn and practice ballroom dance. ” There are now some three hundred cotillion chapters in over thirty states. Of all the functions of dance that I’ll write about, Social Entrée (along with the possible inclusion of Religion) would seem at first blush to be the most rarefied. But that’s because, when people think of dance as a vehicle for social advancement, their brains alight first on fancy balls, an admittedly infrequent event in any mortal’s life. But once you factor in the cool points or prestige to be earned from going to nightclubs or certain other dances, or to any kind of concert dance, especially ballet, the map for advancement gets decidedly bigger. The Social Entrée function is usually a form of connoisseurship. Typically, man’s dignity is linked to thought—the less practical the thought, the more esteem we give it—but who says that ornamental movement and gesture can’t occasionally yield respect, too? Moreover, as with poetry and opera, dance and its mysteries, not to mention its occasional extravagances, can elicit rolled eyeballs from the stoics and the uninitiated in the crowd—which, in a reverse-psychological way, can strengthen the resolve or exaltation of any individual hip enough to “get it. ” Membership may, as the advertising world tells us, have its privileges; but rarefied membership has privileges and a vague sense of superiority or resolve. The session of cotillion I’m watching is number two; after a third class, in a month’s time, the kids will attend a ball at a country club in Durham, some forty minutes away. During the ninety-minute class, Carden intersperses the five dances that she teaches—these include the waltz, the electric slide, and the shag—with manners drills. The drill that reoccurs the most—four times—is introducing yourself to others in the room. Carden repeatedly sings the praises of eye contact and a strong speaking voice. Sometimes the vibe of Bygone Era in the room gives way to heavy irony, usually as prompted by the music played for each assigned activity. When doing a box-step waltz, for instance, many of the kids’ affect of grim penitence stands in dramatic contrast to a musical accompaniment the lyrics of which urge them twelve times to “let it go. ” At another point Carden tells the kids to stand at one end of the room and then to approach her one at a time and introduce themselves. But when she cues the music, the hall fills not with the slinky samba or light processional music that you’d expect, but rather with a heartrending and poundingly operatic version of “Ave Maria. ” It’s a synod with the Pope. Toward the end of the session, Carden tells the boys to escort the girls to the refreshment table and to avail themselves of lemonade and cookies. Seldom do you see a level of concentration like the one displayed by a nine-year-old boy, under the watchful eyes of a chaperone, a dance instructor, and thirty-nine hungry colleagues, using delicate silver tongs to wrangle a large, floppy, soft-baked cookie. It feels like brain surgery for an audience of cannibals. Then, once the kids are all seated and nibbling, Carden tells them about their homework. They are to practice rising from a chair five times; to introduce themselves to a new acquaintance; to introduce someone younger to someone older, and someone with an honorific to someone without one; and to give two compliments to family members and two to friends. When the class is over, I chat up a group of kids, including a shy, ten-year-old boy who spends a lot of our conversation staring at the floor. I ask him if he had fun during the last ninety minutes of his life, and he robotically answers yes. Then I ask him if he thinks having taken cotillion classes for a year has helped him at all. He stares at the maple floorboards beneath us and says, “I like to know what to do when maybe I’m in a restaurant and there are five hundred forks. ” * * * I hear ya, kid. My mother sent me to ballroom dancing classes when I was in the fifth grade. “It’s what you did then, ” she told me recently, referencing the way a generalized feeling imparted by the media and acquaintances you meet in the produce section of your grocery store starts to simmer and simmer, finally bubbling over into an act of indeterminate purpose and questionable worth. Previously, my mother had sent my three siblings to ballroom classes, too. When I asked my brother, Fred, what he thought had prompted her, he wrote me, “I think it was driven by her desire both to inoculate us with good manners and to establish or maintain social position amongst ‘the attractive people. ’ Those urges must have been some mixture of insecurity, wanting to be admired by others, and a pre-digested sense of the proper order of the universe. ” The twining of dance and social advancement, of course, has a long history reaching back to the Renaissance, when dance manuals were full of tips about comportment and posture, as if to remind us that “illuminati” rhymes with “snotty. ” Louis XIV’s great achievement in the history of ballet was in the 1660s to lead the idiom away from military arts like horse riding and fencing, where it had been couched, and to push it toward etiquette and decorum. Because physical touch comes with an implicit set of guidelines and precautions, the successful deployment of same bespeaks sensitivity and self-restraint. As the motto of the dance academy where Ginger Rogers’s character works in Swing Time puts it, “To know how to dance is to know how to control oneself. ” Or, as an etiquette guide popular in colonial America coached, “Put not thy hand in the presence of others to any part of thy body not ordinarily discovered. ” To this end, dancing, particularly ballroom and ballet, is often linked to the tropes of initiation and entrée—e. g., the first dance at weddings, or the first waltz at quinceañeras, wherein the father of the quinceañera dances with his daughter and then hands her off to her community. Once a dancer has been road-tested, she can be delivered to the new world she has chosen, thereupon to roar off into the night. For professional dancers, the markers of social advancement are more aligned with quantities such as accreditation and celebrity. The flight path often runs: (1) Train till you bleed. (2) Join a company and distinguish yourself. (3) Write a memoir heavy on bonking. The prestige here is couched in steps 2 and 3, as the world marvels at what company you joined and what roles you danced. But there are lovely exceptions. In 1997 when the tap dancer Kaz Kumagai moved to New York from Sendai, Japan, at age nineteen, one of his early teachers, Derick K. Grant, was so impressed by Kumagai’s immersion into and respect for African-American culture—an understandably large part of the tap world—that Grant and other black dancers gave Kumagai the honorary “black” nickname Kenyon. Respect. Regardless of whether you’re a social dancer or a professional one, all this weight can yield confusion and awkwardness. My ballroom classes took place in downtown Worcester, Massachusetts, in the basem*nt of an imposing building that felt like the architectural equivalent of sclerosis. Once a week after school, twelve or so of us would gather and be indoctrinated in the rudimentary outlines of the fox-trot and the waltz. Chest up, shoulders down—how can you be upwardly mobile if you don’t have an erect spine? I enjoyed spending time with my friends: two of the twelve were Carolyn and Dorothy, with whom I’d later do the Bus Stop. They lived in my neighborhood, and were among my closest friends. There was a lot of willed awkwardness about the dancing itself—if you made it look too easy or too fun, then you’d be curbing the amount of time you got to exploit the hallmarks of the adolescent experience, manufactured pain and squirming. The lesson on offer didn’t seem to be about towing the line of being cool, or about dancing, but, rather, about interacting with members of the opposite sex. That a woman’s upper torso, save for her shoulders, was out of bounds was not news to me: I had two older sisters and thus knew that breasts and their environs were a no-go area. That sweaty hands were something to be avoided was a more novel idea to me, but certainly brushing my dewy palm against my hip before offering it to my dance partner was not difficult to master. I can wipe. No, oddly, the biggest challenge of these lessons, it appeared to my then tender mind, had to do with table manners, or should I say, get-to-the-table manners. At these lessons, it turned out, dinner was served: a sturdy Crock-Pot full of gooey, fricasseed mystery awaited us at the end of each class. Each of us was to approach the food table, plop a big spoonful of rice and Crock-Potted goo onto our paper plate, and then tread very, very carefully the twenty or so feet to the dining table. Not for us the sturdy reinforced cardboard that goes by the name Chinet. No, ours were the bendy, gossamer-thin paper plates which, if picked up by their edges, would immediately taco on you. Which same action caused a dribble of goop to cascade onto your bell-bottoms. So my first true exposure to dance was, at heart, less kinesthetic than dry-cleanological. * * * Right around this same time in my life—this is the early 1970s—I’d had my first exposure to modern dance performed live. I was a second grader at the Bancroft School in Worcester, and at assembly one morning in the school’s auditorium, a woman danced for us. A zaftig, twenty-something gal in a tie-dyed leotard, she ambled out onto the stage and proceeded to thrash around to some percussive, conga-infused music, her body’s rolls of adipose tissue rippling and inadvertently bringing the neon blossoms of her bodysuit to life in the manner of a human lava lamp. My schoolmates and I could not stop laughing. Why was she moving like that? I wondered. Why the tie-dyed leotard? At this point in my life, I’d become enamored of Carol Burnett and Lucille Ball, and I thought, Surely this pageant of flesh before my eyes is meant to be appreciated in the same light as Ms. Burnett and Ms. Ball’s work? But, no. My homeroom teacher tapped me on the shoulder and looked at me crossly. Later that afternoon, our class was given a special admonitory lecture on art appreciation. We do not laugh at art, we were told. We admire it, we study it. We flat-line our gaping mouths and then cast over the remainder of our face a look of slightly dazed serenity. Later in our lives, we will resurrect this facial expression for run-ins with religious zealots, salespeople, art made from cat hair. * * * Whether you’re watching someone get jiggy with it, or you yourself are the jiggy-getter, you need to cultivate a sensitivity about the flesh on parade. This can be particularly acute for the jiggy-getters. In the late seventeenth and early eighteenth centuries, the most popular form of dancing, the minuet, took the idea that dance is a builder of character and ran with it. In having each couple dance alone with each other while all the other couples watched them, the minuet became a forum for judgment and tut-tutting that lacked only Dancing with the Stars–style score paddles: not only were the dancers currently in motion being silently judged on their technique, bearing, and posture, but, as Jack Anderson reminds us in Ballet & Modern Dance, their flaws in dancing were viewed as flaws in character, too. As Sarah, the duch*ess of Marlborough, said of one dancer who endured the gaze of the duch*ess’s gimlet eyes, “I think Sir S. Garth is the most honest and compassionate, but after the minuets which I have seen him dance... I can’t help thinking that he may sometimes be in the wrong. ” What’s interesting to me here is the grounds on which the dancer is being criticized: though the history of dance provides countless examples of people damning dance on the basis of wantonness and the ability of this particular branch of the arts to cause certain body parts to flap or rotate with an excessive vividness, the duch*ess and her criticism are decidedly bigger picture—she’s set her sights on honesty, compassion. We can almost see how, in the duch*ess’s eyes, Sir S. Garth is the type of dude who’ll step on a lot of toes, lie to the other dancers, and then ride home in his landau to not feed his kitten. Other dancers, though, harness the moral gravitas they find in dance and use it to power a kind of sea change. Consider Jerome Robbins, who choreographed both for the ballet (Fancy Free, Afternoon of a Faun, Dances at a Gathering) and the theater (On the Town, Peter Pan, West Side Story). Robbins struggled for decades with his Judaism, at age thirteen chasing away schoolmates who peered into the Robbins family living room windows in Weehawken, New Jersey—they’d made faces while young Jerry Rabinowitz and a holy man from the local synagogue practiced reading the Torah. For the shame-filled young Robbins, ballet would have what he called a “civilizationizing” effect on his ancestral-tribal identity. “I affect a discipline over my body, and take on another language, ” Robbins would write, “the language of court and Christianity—church and state—a completely artificial convention of movement—one that deforms and reforms the body and imposes a set of artificial conventions of beauty—a language not universal. ” * * * One of the times that dance was a vehicle of entrée in my life, the idiom in question was neither ballroom nor ballet. In my junior year at the boarding school Hotchkiss, through the ministrations of a kindhearted high school pal, I was invited to the Gold and Silver Ball. Started in 1956, this New York City charity ball kicks off the winter breaks of teenage public and private schoolers in the Northeast, giving them an opportunity to swap stories about their parents’ divorce proceedings and to practice smuggling liquor into a non-stadium setting. Back then the ball was held at the Plaza Hotel or the Waldorf Astoria, and featured the dulcet musical stylings of a society band like Lester Lanin’s, but in 1985 the ball moved downtown to the Ritz and later the Palladium, either because (according to the ball’s organizers) the Waldorf had become too expensive or because (according to high schoolers) a sofa had “slipped” out one of the Waldorf’s upstairs windows. I remember how flattered I felt by the invitation. At my previous school, I’d been a storefront of overachievement, and, as a result, had had a series of nicknames leveled at me: Prez, Brain, Brownie, T. P. (for teacher’s pet), Toilet Paper. So when I got to Hotchkiss, I was anxious to be considered cool and not overly directed. Also, at age sixteen, I was just starting to notice my attraction to men, but was embarrassed by same. My slightly desperate need to fit in lay at the heart of one of my more shameful acts from this period. A shy and soft-spoken guy who lived down the hall from me in my dorm—a social outlier, who was not in my clique—asked me one night if I wanted to get high. I said sure. We followed the prescribed route for discreet pot-smoking: he’d rolled up one bath towel lengthwise and put it at the base of his door to prevent smoke from seeping into the hall, and he’d rolled one towel width-wise for us to exhale our hits into. He’d blasted the room with Ozium air sanitizer, and had put fresh water in his bong lest spilling stale water necessitate the ritualistic slaughter of an area rug. But after we smoked up, he did something unexpected: he put his hand on my knee. I immediately stood, mumbled thanks, and ran-walked to my room. My heart thudded like a stuffed animal being quickly dragged down a staircase; it seemed like the walls of the hallway engorged and contracted slightly with each hurried step I took. Thereafter it took me three months to acknowledge this guy in public again, and sustained eye contact remained an impossibility for the rest of the year. * * * So, the invitation to the Gold and Silver. Given that many of Hotchkiss’s slightly intimidating coolios would be present at the ball, I thought, Why not? If I wanted to be cool myself, then I needed to log hours living amongst exemplars of that ethos; a burst of popularity, I thought, would smooth some of the tattered edges of my hom*ophobia. The cost of the ball (more than $100) seemed exorbitant, and, moreover, I’d have to find a tuxedo somewhere, but: sure. Back at my mom’s in Worcester over Thanksgiving break, I found an affordable tuxedo in a thrift shop. The jacket fit well, but the crotch of the pants sagged mid-distance between my knees and my fruit-and-veg. Only a haberdasher for dachshunds could imagine a world in which one’s genitals should fly so close to the sidewalk. I’ve never been noticeably well dressed—a WASPy wariness about caring too much about clothes runs in my family, and dovetailed nicely with my anxiety about appearing gay—but this was a new, uh, low. Once I’d brought my budget treasure back home, Mom laughingly pointed out that the waistband was a tad generous, too, so she nipped off an inch or so of it with her sewing machine. At last the pants made meaningful contact with my person. Back at school, a month before the Gold and Silver, I had lots of time to feed my anxiety about mingling with my glittery friends while wearing pants that from certain angles still said “crotch goiter. ” My classmates’ anxiety, meanwhile, was focused on where to drink before the ball—God forbid you should show up at the function not teetering on the brink of projectile vomiting. My high school memories are full of examples of trying to make the most of some tiny amount of some illegal substance; one Saturday we resorted to spiking a watermelon with half a bottle of dry vermouth. It’s a nice buzz, if you’re an ant. Came the day of the ball. Let us summon up a cloud cover of empathy and indulgence over the next paragraph, as the author’s memories are, due to the ravages of alcohol and experiential fervor, somewhat impressionistic. I don’t remember where I pre-gamed. I don’t remember where the ball was held. I do remember that the ball had a two-part construction: in one room, a society band played while girls in taffeta gowns and co*cktail dresses touch-danced with their willing partners; in another room, rock boomed out of speakers. I gravitated, naturally, toward the latter. The hours evanesced. No one mentioned my pants. I befriended no dachshunds. But then, a few hours later that same night, something staggeringly, epically, supersonically groovy happened. Nine or so of us had ended up at our classmate Carl Sprague’s parents’ house for a nightcap. We were standing in the Spragues’ living room when someone informed me that we were all going to try to get into Studio 54. I laughed. My drunk had worn off by now, but, still: funny. We’d all heard about the illustrious nightclub—mostly stories about how impossible it was to get into. Each night a big crowd of people would mass in front of the velvet ropes in a pageant of ritual humiliation; over time, the people turned down by the bouncer would include Mick Jagger, Frank Sinatra, Warren Beatty, and Diane Keaton. So my first reaction, on hearing the plan, was, Why bother? But then, given the jolliness of the evening, my second reaction was, What the hell? I idly asked the group how many cabs we thought we’d need, and as my friends’ excited chirrups dissolved into more mundane mutterings related to coat retrieval and taxi logistics, I heard Carl say, “No, we don’t need cabs. I got a limo. ” That no one questioned or remarked upon this plot point—the surprise limo—says something about whimsical Carl, who had a bust of Byron in his dorm room and would grow up to be a production designer who’d work for Wes Anderson and Woody Allen. Sure, I thought on hearing about the limo, we’ll be ignored or rejected by the bouncer, but the stretch will whisk us away in a glamorous storm cloud of slightly singed entitlement. We piled into the vehicle. After a drive across the gridded isle, the limo sidled up to the curb outside the club, where some sixty hopefuls were huddled on the sidewalk. As the nine of us tumbled out of the vehicle, I glanced at our group as if from the bouncer’s point of view: a knot of fifteen- and sixteen-year-olds in formal wear, their leader (Carl), six-foot-one and blond. We looked like the Norwegian cast of The Sound of Music. Our bodies were somewhat smooshed together: it was cold, and we seemed to be unintentionally duplicating the crowded seating of the limo ride. The slick bottoms of my awful patent leather shoes were a slippery hell on the sidewalk; when I looked down, though, I noticed that no one else’s party shoes were faring much better. Are you familiar with the Bob Fosse formation known as an amoeba? That’s when a very densely packed huddle of dancers moves cloud-like as one across the stage. Fosse got the idea from those people in Hieronymus Bosch paintings who are hatched from eggs and have multiple arms and legs. Imagine a Fosse amoeba, but drunker, preppier. The bouncer took one look at us, and waved us on in. * * * I’m intrigued that disco, a dance phenomenon originally promulgated in this country by minorities (blacks, Latins, gay men), partly in reaction to the dominance of rock and roll, would become so oppressively exclusive. Slightly antithetical, no? But I guess that when you build a shimmering island paradise out of body glitter and pairs of assless chaps, you can either say to the rest of the world “Come on in” or “You better be as decorative as we are. ” Studio 54 decidedly went with the latter, reordering the hierarchy by allowing admission only to those people fabulous enough not to be cowed by the club’s ninety-foot ceilings, its ceiling-suspended sculpture of a moon that snorted cocaine, the balcony bleachers covered with waterproof fabric that was hosed down daily. It was a bold clientele, a clientele unafraid to express itself via police whistle. (After President Carter’s mother, Lillian, went to Studio 54, she reported, “I’m not sure if it was heaven or hell. But it was wonderful. ”) Outside on the sidewalk, co-owner Steve Rubell would stand on a fire hydrant to surveil the crowd of people trying to gain admission. “People would wait for hours in the freezing cold, knowing it was hopeless, ” Johnny Morgan writes in Disco: The Music, the Times, the Era. “Sometimes someone would be allowed in if they took off their shirt, others if they stripped naked. [Doorman Marc Benecke] let in the male half of a honeymoon couple but not the wife. Limo drivers were let in, their hires not. Two girls arrived with a horse. Benecke had them strip naked, then said only the horse would be allowed in. ” Donald Trump was a 54 regular, but would rarely dance; as one patron put it, Trump was there to cut the deal while others cut the co*ke. For many of those admitted, the net effect of this stringent door policy was to make us fixate on the clubgoers. I managed to wiggle into Studio 54 three times over the years, and indeed, each time, people-watching was the draw. You might see the ectoplasmic Andy Warhol or the über-fabulous Grace Jones; you might see the transvestite roller skater in a wedding dress with the button that read “How Dare You Presume I’m Heterosexual”; you might see enough age-disparate male couples to suggest that the evening’s theme was Father-Son. America. Implicit to the trope of social entrée is the trope of personal transformation: by entering a new milieu, you are made new—or, at least, can choose to present yourself as someone new. According to the American Dream, life in our nation should be rich and fruity for all people regardless of their class or the circ*mstances of their birth. “Homeless to Harvard” is not just the name of a turgid movie on Lifetime, it’s a national ethos that bespeaks our dynamic, if sometimes crippling, fascination with destiny and self-transformation. Fueled by the popularity of Benjamin Franklin and his rags-to-riches trajectory, Americans have long clung to the belief that, with enough hard work, no one need ever learn that your birth name is James Gatz. Which puts me in mind of a certain dance pioneer. Since the late 1950s, my family has been friends with Phyllis McDowell and her family, who lived about a mile away from us in New Haven, where we lived before we moved to Worcester. Phyllis McDowell is one of Arthur Murray’s twin daughters. At mid-century, Arthur Murray’s name was synonymous with ballroom. A dance instructor turned entrepreneur, he had several hundred dance studios bearing his name, many of which still exist; it’s been estimated that over 5 million people have learned to dance because of these studios. His students over time would come to include Eleanor Roosevelt, John D. Rockefeller, the Duke of Windsor, Margaret Bourke-White, Enrico Caruso, Elizabeth Arden, Cornelius Vanderbilt Whitney, and Jack Dempsey. In the movie Dirty Dancing, Patrick Swayze plays an Arthur Murray instructor. Though I never met Mr. Murray or his wife, Murray’s name was invoked often in our household because of our friendship with the McDowells. My parents met Arthur and Kathryn Murray—“Once at the McDowells’ house. Phyllis and Teddy used to have us over to watch the show, ” my mother told me, referring to The Arthur Murray Party, a dance show that ran from 1950 to 1960 and was hosted by Kathryn. “TV was pretty new then so you’d all get together to watch stuff. ” At the time, I was wholly uninterested in the fact that Phyllis and her four foxy daughters were the progeny of famous people. It simply didn’t compute. However, two facts about the McDowells made the clan fascinating to me: (1) their house had a bomb shelter, and (2) Mr. McDowell was rumored to have a knife inside his car in case he ever needed to cut himself out of his seat belt. This was a period of my life when I was devoting a lot of time thinking about rocket jet packs, so you can imagine the swank that a bomb shelter and a concealed weapon held for me; at some deep level of consciousness I must have realized that the McDowells were as close as I was ever going to get to the James Bond lifestyle. Indeed, as if these two spectacularly cool items weren’t freighted enough with danger and excitement, there was yet a heightener: Phyllis’s twin sister, Jane, had married the man who invented the Heimlich maneuver. Yes, Mrs. Maneuver. The level of emergency preparation in this family practically caused my young brain to explode; you imagined that if you bumped your head or skinned your knee at the McDowells’, chopper blades would signal the airborne arrival of cat-suited Coast Guard ninjas. * * * Born Moses Teichman in 1895 to poor, Jewish, Austrian-born parents who ran a bakery in New York City’s Harlem, Arthur Murray was, as he would later say, a “tall, gawky, and extremely shy” child. At Morris High School in the Bronx, he would add, “my bashfulness and diffidence had become pernicious habits. ” He stuttered; his mother belittled her children and told them they’d never succeed. Murray dropped out of school and struggled to keep various jobs, but after receiving dancing instruction from two sources—a female friend and a settlement house called the Education Alliance—he returned to school, which he now found easier because the dancing had given him a modicum of poise. A serious student of architecture, Murray would find his fortune in the dancing craze of the 1910s (as the new century dawned, many Americans had grown tired of dancing to their grandparents’ music and had started dancing in huge numbers to ragtime instead). By day Murray worked in an architect’s office, and by night he frequented various New York City dance halls, where the raging popularity of animal dances like the turkey trot (dancers took four hopping steps sideways, with their feet apart) and the grizzly bear (dancers would stagger from side to side in emulation of a dancing bear, sometimes helpfully yelling, “It’s a bear! ”) was slowly being supplanted by the calmer one-step (with their weight on their toes, dancers would travel across a room taking one step for each beat). “Arthur first turned to social dancing as a means of meeting girls and becoming more popular, ” his wife, Kathryn, would write in her book, My Husband, Arthur Murray, cowritten with Betty Hannah Hoffman. “To practice dancing, Arthur used to crash wedding receptions which were held in public halls. ” Murray left his architecture job and took classes with instructors Irene and Vernon Castle. The most famous dancers of their day, the Castles helped “tame” the wildness of the animal dances and made social dancing respectable. The Castles soon hired Murray to work at their school, Castle House. Then, after a sojourn teaching at a hotel in North Carolina for an instructor named the Baroness de Kuttleston, Murray opened the first Arthur Murray dance studio, located in the Georgian Terrace Hotel in Atlanta. By the time Murray stepped down from the presidency of his company in 1964, his three hundred franchised studios were grossing over $25 million a year. * * * What I love about Arthur Murray is his notion that dancing is a kind of conversation set to music. In his book How to Become a Good Dancer, he writes about how a foreigner who has not learned English has difficulty making himself understood. “He is so busy trying to think of the right words that he stammers and hesitates. And so it is with dancing.... To be a good dancer you must be able to dance without having to concentrate on the steps. ” The metaphor of dance-as-conversation also nods to the ever-escalating, back-and-forth nature of what is called a “challenge dance, ” a feature of many dance idioms (e. g., tap dancing has the hoofer’s line, hip-hop has battles). In Top Hat, for instance, when Fred Astaire and Ginger Rogers dance on the bandstand to “Isn’t This a Lovely Day (to Be Caught in the Rain)?, ” Fred does a step, Ginger copies it; Fred does another step, Ginger copies it but adds a little zing, etc. But Murray’s story is equally interesting to me when seen in light of two themes that reoccur throughout the history of dance: humiliation and snobbery. Many dancers—Bob Fosse and Twyla Tharp among them—spend a part of their lives hiding from their friends and family and colleagues the fact that they dance. To admit that you’re a practitioner of the leaping arts is to open yourself to inspection on the fronts of economic status, carnality, taste, self-involvement, and body mass. For men, of course, the tendency to waft one’s person through space, be it for monetary gain or simply for enjoyment, is especially psychologically tender. Though typically the forces of antagonism here are bound up in notions of masculinity, sometimes they are more class-based: when in 1924 Kathryn introduced Arthur to her father on their first date, the father asked the young suitor what he did for a living. Murray chose not to mention that he had already put away $10, 000 in the bank or that he drove a Rolls-Royce, but instead simply said that he danced. Kathryn’s father responded, “I do, too, but what do you do for a living? ” * * * Whenever insecurity is much in evidence in a particular arena of activity—I’m looking at you, fashion, royal courts, glossy magazines, high-end restaurants—that arena’s denizens will, in an effort to ease anxiety, create or pay heed to easily recognizable protocols and brand names; e. g., your friend didn’t just spend $900 on shoes, she spent $900 on Manolo Blahniks. Murray’s uncanny talent as a salesman saw him both combating and employing this humiliation/snobbery axis. On the former front, he had great success selling mail-order dance instruction: customers could buy paper “footprints” that you’d put on the floor and step on. The footprints had markings that corresponded to directions in a booklet. His book How to Become a Good Dancer had you trace your own shoes onto paper, and then make five copies of your “feet. ” Murray encouraged you to dance alone at first, until you got up and running. Imagine the relief that a pathologically shy, aspiring dancer would feel, knowing that he wouldn’t have to go to a studio and endure the gaze of others. More tellingly yet, Murray the advertiser was not above speaking to a potential customer’s insecurities. “Most people lack confidence, ” he told his wife. “Subconsciously, they would like to have more friends and be more popular, but they don’t openly recognize this desire. ” When writing ad copy for his dance studios, Murray and his wife—one waggish line of criticism against Murray runs that, since Kathryn did most of the writing, Murray made his fortune “by the sweat of his frau”—sometimes mined Murray’s own travails from adolescence. An awkward evening he’d spent as a sixteen-year-old turned into an ad titled “How I Became Popular Overnight. ” The ad’s copy ran, “Girls used to avoid me when I asked for a dance. Even the poorest dancers preferred to sit against the wall rather than dance with me. But I didn’t wake up until a partner left me alone standing in the middle of the floor.... As a social success I was a first-class failure. ” As Mrs. Murray writes in her book, “Arthur found that no man wanted to admit that he was learning to dance, but he didn’t mind saying that he was learning the rumba. It was something like the difference between saying your feet hurt and your foot hurts. We ran smart-looking ads that now sound corny, but they appealed in those days to businessmen who read New York’s leading newspapers and business journals: ‘Does your dancing say “New York” or “small town”? Where do the fastidious satisfy their craving for the up-to-the-minute dance steps and instruction? A secret? On the contrary, they happily pass the word about Arthur Murray’s delightfully modern studios where chic meet chic. ’? ” This ad was rigged out with pictures of attractive women; the pictures’ captions extolled these women’s good social backgrounds. In its heyday, ballroom and its attendant glamour could take you places. Fred Astaire and Ginger Rogers both came from modest backgrounds, but went on to become icons of sophistication and elegance; ditto Astaire’s idols, Vernon and Irene Castle. In Murray’s case, ballroom’s power to raise one’s station in life was noticeable not only in who Murray became in his success but also in who worked for him. In the wake of the Bolshevik Revolution, the fall of the Hapsburgs, and the upheavals of the Depression, impoverished European aristocrats were happy to take jobs as instructors at Arthur Murray studios: at one point Murray’s work staff included a baroness, several countesses, and a White Russian prince. Pinkies: they’re for extending. * * * It occurred to me that I had a good opportunity to witness up close the aftermath of Murray’s work and life: I could talk to his daughter Phyllis McDowell. So, one balmy August day, I visited her at her summer house in Fenwick, an old-money enclave on the Connecticut shore where she’s been going for more than fifty years. Phyllis, now eighty-nine, was all accommodation and bemusem*nt and warmth. Barefoot, nut brown from tanning, and wearing a bright yellow Izod shirt and a Lilly Pulitzer skirt that set off her beautiful legs (she danced weekly until a few years ago), she invited me to sit on her porch and drink ice water with slices of lemon in it. Her silvery-white hair was held in place by a barrette. She has a sly smile and wonderfully warm, welcoming eyes that seem perpetually to be responding to faint music from another room. I asked about the bomb shelter. (“Ted had some funny ideas, ” she told me. ) I asked about the footprints. (“It was a very architectural approach to dancing. If men were ever embarrassed about dancing, this mechanical approach made it much more palatable. ”) But what I really wondered was, What was it like to be the daughter of someone whose orientation—both to dance, and to life—was so aspirational? Phyllis told me, “Nothing escaped my father’s attention—like if the lightbulbs were dirty or there was dust anywhere. He was very fussy about grammar. He was intolerant of any indulgences—especially alcohol, which was my mother’s nemesis. He’d make you unpack a suitcase if you packed too much. No wonder I’m a Quaker now. ” Arthur and Kathryn Murray didn’t tell young Phyllis and Jane that the family was Jewish; when, as a teenager, Jane read about the traditional Jewish meal the seder, she thought it was a kind of wood. At age sixteen, Phyllis and Jane were taken to a plastic surgeon for nose jobs. The twin girls started attending Vassar, but when their father visited the campus one day he found the student body to be unkempt, so he convinced the girls to transfer to Sarah Lawrence. In Phyllis and her sister’s youth, an instructor would come to their house each week to give them dance lessons (like her father, young Phyllis stuttered). After college, the two sisters spent a summer working as Arthur Murray instructors, during which time Phyllis fell in love with and married a fellow instructor, Mr. McDowell. “Have you come across the story, ” Phyllis asked me, chuckling, “where my father tells my mother, ‘We’re going to have a TV show! I want you to host it, ’ and my mother says, ‘I don’t know anything about acting or singing, ’ and my father tells her, ‘Don’t worry. The screens are so small that nobody will notice’? ” “I did see that, ” I said. “I also liked in your mom’s book when she talked about doing acrobatics on the show in her ball gown, or roller-skating on the show, all of which caused you to ask her, ‘Mother, do you think the things you do are really appropriate? ’? ” “We were such little snobs. Parents can’t do anything right. Here my parents were, adventurous enough to have their own TV show at a time when no one else except Milton Berle did. They were fun and funny. Mother would call me after every show from Sardi’s. It was exciting. ” As the afternoon wore on, Phyllis’s and my conversation gradually drifted toward her father’s demise in 1991. He and Kathryn were living in Honolulu at the time. Phyllis told me, “I remember just before he passed, he was lying out on the lanai. The last words I remember him saying were ‘We were so poor, we had to use newspaper as toilet paper. ’ Isn’t that a peculiar thing to say? Why would you dwell on that? ” I tried, “Maybe it was a statement of appreciation? Like, life was so bad back in the day, but then he managed to make it a whole lot better? ” “That’s a nice way to look at it. ” I looked over Phyllis’s shoulder at the sparkly Connecticut Sound, only a block away. I had about an hour before my train back to New York, and Phyllis said she was going to lie down for a few minutes before driving me to the station. I said that I’d brought my bathing suit and was hoping to take a quick swim. Phyllis, whose spirits had started visibly to flag, suddenly brightened. “That’s a great idea, ” she said. “Take our golf cart! ”. Detective And Then We dancers. YouTube I'm need you. Detective And Then We. Detective And Then We dance music. Dennis is gorgeous. If you want a different, warm, gripping and engaging drama - this is the movie! This heartwarming story from Georgia is a charmbomb. Incredibly well filmed with the storytelling taking place in Tiblisi. We follow a young man's encounter with his first love, in unfamiliar surroundings (at least for me. Great performances by these young actors make it both poignant and believable. I think the protagonist of the film clearly manages to show the challenges of being gay, in an environment that is clearly not ready for it. The film's message of what love and sorrow does to us is universal, but the place and surroundings this takes place in this film, lift it up and make it a special and touching experience in the cinema. Thanks to the Oslo Fusion Film Festival setting up this one, I hope it gets wide release worldwide. A warm recommendation from me. She rlly did say her vagin* was called A Gifting Wallet in front of Kate and William. I just wanted to say that this is not a georgain film but a Swedish Detective And Then We dance life. Detective And Then We dancefloor. Saw this at the Chicago film festival. it was alright. Very slow moving... Release Date: 2/7/2020 Genre: Drama Studio: Music Box Films Rating: Release Dates: Country Release Type Date United States Theatrical Wide Release 2/7/2020. Detective and then we danced like. 7771683 Creator: Mel Rygus Resume Lawyer, criminal and constitutional law nerd, film geek and sloth enthusiast. And Then We Danced 8. 5 (81%) 702 votes And Then We Danced Full Movie INXS: Baby Live at Wembly Stadium PutLocker Pirate Bay no login no registration ↡↡↡↡↡↡↡↡↡↡↡↡↡↡ DOWNLOAD ^ STREAM ⬆⬆⬆⬆⬆⬆⬆⬆⬆⬆⬆⬆⬆⬆ Release Date: 2019. country: USA. I have it-highly recommend it-best concert ever! I don't typically watch a DVD more than a couple of times and I've probably watched this one at least ten times. Awesome sound, videography and performance. Full movie inxs: baby live at wembley stadium 14. The Umbrella Academy brought me to this wonderful piece. INXS made Sooo Many Great Songs. G. O. A. T. Totalmente sensual el tema y porsupuesto Michael también lo fue. Maravilloso. Full movie inxs: baby live at wembley stadium seating. Please more concerts of INXS in Russia. This is amazing. Michael was soo HOT. What a loss to music his death was. Full Movie INXS: Baby Live at wembley stadium. They're not against interracial dating lmao, this is supposed to be from the public's point of view, saying dream on, you two can't date! this song is about that, not against it. smh. Full movie inxs: baby live at wembley stadium 1. Talk about nostalgia! This is an awesome tune. Full Movie INXS: Baby Live at Wembly stadiums. I'm twenty, and I'm too happy I discovered INXS. this is real music, and real talent. Watch INXS: Baby Live full movie dual audio download. Watch Online Full Movie INXS: Baby Live at Wembly Online Hindi HBO 2018 Online Free Download... Full movie inxs 3a baby live at wembley stadium new. Full movie inxs: baby live at wembley stadium schedule. They weren't just band mates, they were mates who were true brothers and friends through thick and thin. That's why it worked musically. Everybody likes to idolize Michael, but he couldn't have done what he did without that band. They are all bad ass musicians. Full movie inxs 3a baby live at wembley stadium karaoke. Six years to the day after Live Aid, London’s famous Wembley Stadium played host to a second concert would go down in history. On 13 July 1991, Aussie superstars INXS delivered the show of their lives at Wembley, with their career-defining gig captured in all its widescreen glory by a spin-off concert film and live album – both of which were titled Live Baby Live. At Wembley, INXS surfed the crest of an almighty wave that first started to swell when they released their breakthrough album, Kick, in 1987, and continued to build with 1990’s X: another highly polished pop album that yielded multi-platinum sales and thrust the band into rock’s premier league. Listen to Live Baby Live: Wembley Stadium on Apple Music and Spotify. “The whole band was on fire that night” INXS’ Wembley Stadium date was just one of many stops on their high-profile Summer XS tour of 1991 and – as the original 11 November 1991 edition of Live Baby Live proved – they were on ferocious form. That first edition’s 16 tracks were culled from shows in cities ranging from Sydney to Dublin and Rio De Janeiro, and they demonstrated there were few bands on the planet capable of touching INXS at that particular moment in time. The Antipodean stars were on a roll when they arrived in Europe in the summer of 1991. They’d completed the tour’s successful “homecoming” leg in Australia during April and May, after which their Summer XS itinerary found them headlining European festival shows from 28 June through to 16 July. To a man, the band agreed the high point of the jaunt was the 13 July show at Wembley Stadium. “A night to remember for all time” “The whole band was on fire that night”, bassist Garry Gary Beers recalled in 2019. “Michael was so good, he sang his heart out and gave every person in the crowd a night to remember for all time. He truly had that amazing ability to make the biggest shows as intimate as the pubs we grew up in musically. ” INXS needed to be on top of their game that night, not least because they were topping a bill of real pedigree. Their headlining slot was preceded by sets from fast-rising indie-dance outfit Jesus Jones, Irish favourites The Hothouse Flowers, San Franciscan rockers Jellyfish, widely-acclaimed British soul-rock outfit Roachford and iconic Blondie star Deborah Harry. However, as director David Mallet’s recently-restored Live Baby Live film and its newly-released, 21-track audio counterpart so vividly reveal, INXS were never going to falter. Michael Hutchence and company may have stepped out in front of an awe-inspiring 74, 000 people, but as soon as drummer Jon Farriss hammered out the machine-like rhythm of ‘Guns In The Sky’ and his colleagues locked in behind him, they never once looked back. “One of the biggest global sensations at the height of their powers” The night’s setlist drew heavily on both Kick and X, with vast swathes of the crowd moving as one to ‘New Sensation’ and hollering back the chorus of the sinewy, blues-based ‘Mystify’. Kicking off six consecutive tracks from X, a tense, measured performance of ‘The Stairs’ ramped up the tension, then gave way to the swaggering, wah-wah-driven ‘Know The Difference’, before a soaring ‘Disappear’ provoked an enormous roar from the crowd. Shrewdly, INXS kept a battery of hits in reserve for the home stretch, which included celebratory versions of ‘Bitter Tears’, ‘Suicide Blonde’ and the biggest, phattest version of their breakthrough hit, ‘What You Need’. The latter song culminated in a lengthy call-and-response workout between Hutchence and the crowd; for all his poise and consummate cool, the much-missed frontman was visibly moved by the love his band received that night. “F__ing hell, it looks like all England’s out there! ” he said, his voice cracking with emotion as ‘Suicide Blonde’ wound down. If that wasn’t enough, encores including ‘Need You Tonight’, a heartstring-tugging ‘Never Tear Us Apart’ and a seven-minute ‘Devil Inside’ almost brought the venue’s famous Twin Towers down. By the time the Aussie legends finally relinquished the stage, no one present would have quibbled with executive music producer Giles Martin’s assertion that they’d just witnessed “one of the biggest global sensations at the height of their powers”. Best INXS Songs: 20 Essential Tracks That You Need Tonight Why Michael Hutchence Was Music’s Last True Sex God Michael Hutchence Quotes: The INXS Frontman In His Own Words As subsequent albums such as Welcome To Wherever You Are and Full Moon, Dirty Hearts proved, INXS still had plenty of great music to come. Yet the band also felt that Live Baby Live documented them scaling a once-in-lifetime peak: “We were just six blokes from Australia that treated Wembley Stadium like just another pub gig, ” Tim Farriss said in 2019. “We went in with a PA and a few lights and played our asses off. No ego ramps, no back-up singers, no props, no grand pianos, just the six of us – and the audience went nuts! That’s all we needed! ” Live Baby Live: Wembley Stadium can be bought here. Full Movie INXS: Baby Live at Wembly. Full Movie INXS: Baby Live at Wembly stadium. Full movie inxs 3a baby live at wembley stadium gif. Full movie inxs 3a baby live at wembley stadium wallpaper. He was under influence to drugs in that concert, but still professional and singing very well! 🤘🏻. Full movie inxs: baby live at wembley stadium 8 Full movie inxs: baby live at wembley stadium tickets. Full movie inxs: baby live at wembley stadium 10. Full movie inxs: baby live at wembley stadium. Videos Learn more More Like This Documentary | Biography Music 1 2 3 4 5 6 7 8 9 10 7. 4 / 10 X Ghost Pictures and Passion Pictures and a documentary feature about the troubled heart and soul of Michael Hutchence, lead singer and songwriter of INXS. Director: Richard Lowenstein Stars: Helena Christensen, Michael Hutchence, Bob Geldof Drama 7. 8 / 10 The story of INXS, their personal lives and their rise to fame from Australian pubs to stadiums all around the world. Damon Herriman, Luke Arnold, Hugh Sheridan 6. 6 / 10 The film is set in a house occupied by a collection of social misfits. The main storyline is that of a strange musician's relationship with a girl, their drug use and his band. These events... See full summary » Saskia Post, Nique Needles 6. 9 / 10 A documentary about the origin and the up growth of the fashion label Ralph Lauren Susan Lacy Woody Allen, Tyson Beckford, Naomi Campbell Crime 7. 3 / 10 Four policemen go undercover and infiltrate a gang of football hooligans hoping to root-out their leaders. For one of the four, the line between 'job' and 'yob' becomes more unclear as time... See full summary » Phil Davis Reece Dinsdale, Richard Graham, Perry Fenwick 7. 9 / 10 A look at Depeche Mode's final moments of their 2017 Global Spirit Tour, featuring intimate stories from select fans. Depeche Mode, Martin Gore, Andrew Fletcher 7. 5 / 10 Live concert performance of Bruce Springsteen singing songs from his album 'Western Stars'. Directors: Bruce Springsteen, Thom Zimny Patti Scialfa, Bruce Springsteen World-renowned civil rights defense attorney Bryan Stevenson works to free a wrongly condemned death row prisoner. Destin Daniel Cretton Brie Larson, Michael B. Jordan, Jamie Foxx Short Promo videos and behind the scenes footage from INXS' multi-platinum selling hit album Kick. Richard Lowenstein, Joel Schumacher Garry Beers, Andrew Farriss, Jon Farriss Comedy In England in 1987, a teenager from an Asian family learns to live his life, understand his family and find his own voice through the music of American rock star Bruce Springsteen. Gurinder Chadha Billy Barratt, Ronak Singh Chadha Berges, Viveik Kalra 7 / 10 Rockumentary following British singer, Liam Gallagher, as he attempts to make a solo comeback. Gavin Fitzgerald, Charlie Lightening Liam Gallagher, David Adco*ck, Paul Arthurs Edit Storyline The live concert footage of the band INXS playing a sold out show in front of 74, 000 fans at Wembley Stadium on July 13 1991 Plot Summary Add Synopsis Details Release Date: 19 December 2019 (USA) See more » Also Known As: INXS: Live Baby Live Company Credits Technical Specs See full technical specs » Did You Know? Connections Follows INXS: What You Need (1986) See more » Soundtracks HEAR THAT SOUND Written by Michael Hutchence / Andrew Farriss Performed by INXS See more » Frequently Asked Questions See more ». Published on Dec 7, 2019 Tickets for the restored movie now on sale at - INXS’s legendary 1991 Wembley Stadium gig will be shown in cinemas for the very first time across the Americas from December 9, 2019. Order Live Baby Live the album is out now The show has been fully restored from the original 35mm print to create a new widescreen 4K Ultra HD version, and the film also now includes a previously unseen ‘lost’ track and a brand new Dolby Atmos audio mix by the band’s Executive Music Producer Giles Martin and Sam Okell, created at Abbey Road Studios. This stunning concert film will be in theaters across The Americas from December 9. The official Soundtrack is out now on Limited 3LP vinyl for the first time, 2CD & all digital formats. Order Live Baby Live. Like si lo ves en 2018, 2019, saludos desde Fresnillo Zacatecas México al mundo yeaaahhh 🇲🇽🇲🇽🇲🇽🇲🇽🇲🇽 Viva México INXS grupazo. Amen to that. 3:07 he was horny LOL. Full movie inxs 3a baby live at wembley stadium html. Believe it or not, I came late to the knowledge of INXs however, once I arrived, even now! I cant let go! MH and the rest of the band were just brilliant! The music so cool. Much love still for this brilliant band. I guess the saying one man dont stop the show, just isnt true! MH, leaving us sure did put the brakes on these guys, even they tried to fill the void! We love them still, MH shoes were just to big to carry on! Theyll live for ever in our hearts! THATS RIGHT. Full movie inxs: baby live at wembley stadium 4. Full movie inxs: baby live at wembley stadium 16. OK, we retrieve the data from this campaign, thank you for your patience. INXS: Baby Live at Wembly Stadium eng sub Online Free gostream youtube ⇩⇩⇩⇩⇩⇩⇩⇩⇩. Putlockers STREAM⇧⇧⇧⇧⇧⇧⇧⇧⇧ Country USA; year 2019. Six years to the day after... Full movie inxs: baby live at wembley stadium 2. It's as if you can readNoel's mind at 33:15. What a knobhea*d! he's thinking. Full movie inxs: baby live at wembley stadium 9. The best front man ever! Hutch was rock and roll. Soooooooo sexy! R. I. precious! You are missed and will never be replaced. Full movie inxs: baby live at wembley stadium seat. Full movie inxs: baby live at wembley stadium 12 Full movie inxs: baby live at wembley stadium 18. MTV,. Full movie inxs 3a baby live at wembley stadium lyrics. 1991 was a spectacular year for INXS. Their album ‘X’ had been in the charts for eight months, going platinum in the UK as well as double platinum in the US. Winning two Brit Awards, INXS played record-breaking runs of shows in their Australian homeland, headlined Rock In Rio and undertook a sold-out tour of the USA. However, it was the events of 13th July 1991 that took the band into the musical stratosphere. Six years to the day of Live Aid and five years and a day since the band supported Queen at Wembley Stadium, INXS headlined their own show at the famed venue to a sell-out crowd of 73, 791 crazed fans. The event, called ‘Summer XS, ’ was immortalised in the best-selling concert film ‘Live Baby Live’, directed by David Mallet. Twenty-eight years on, the film has been painstakingly restored over a six-month period from the original 35mm negative to 4K Ultra HD. The film is now presented in glorious cinematic widescreen, created by going through the film shot by shot and repositioning every single one to get the best out of the frame. To accompany the astonishing visual upgrade, the audio is now presented in full Dolby Atmos (and 5. 1 surround sound), created by the band’s Executive Music Producer, Giles Martin, at Abbey Road Studios. Additionally, the restoration process unveiled a ‘lost’ performance, which was not included in the original releases - ‘Lately’ from the ‘X’ album. It is now returned to its rightful position in the concert setlist. Starring: Kirk Pengilly, Garry Beers, Andrew Farriss, Michael Hutchence, Tim Farriss, John Fariss Directed by: David Mallet In Theatres: Dec 12, 2019 Genre: #Alternative Content Duration: 100 min Related Videos Please Select Your Theatre Date Experience Movies and showtimes are updated for online ticket purchase each Wednesday morning for the upcoming week (Friday to Thursday). Full movie inxs: baby live at wembley stadium 7. I LOVE all INXS songs. Theyre very special to me🎶🎶❤️❤️. Full movie inxs 3a baby live at wembley stadium hd. Full movie inxs: baby live at wembley stadium 6. 2020 Esto es arte! Reggaetoneros y los que hacen o escuchan trap ABSTENERSE no lo pueden entender no apto para sus oídos. Crime comedy open torrent Geoffrey Rogers Blind Eyes Opened dailymotion phone ↡↡↡↡↡↡↡↡↡↡↡↡↡ DOWNLOAD ⬆⬆⬆⬆⬆⬆⬆⬆⬆⬆⬆⬆⬆ Geoffrey Rogers genre - Drama Writed by - Geoffrey Rogers country - USA. I covered my eyes the whole time now i can't understand the story. Said a man comfortably wearing a suit and a pair of glassses. I love sabrina! Actually, she's my inspiration of being pretty, i mean sbe inspires me to be pretyy 😇😇. Why did this take so long to be released. 99% of developed countries are a prime example of his off your high horse. if you work in a High end factory, Ferrari, Gucci, what makes you think every worker there is aiming towards owning a Ferrari one day, you've been spoon feed the hope that if you really wanted that Ferrari you could buy it one day. we'll that spoon full of hope and dreams of riches is a luxury. I'm from Mexico was a field worker, I have cousins who fish for their food I my self would hunt for my daily meals (if I wanted to eat meat) I also lived in the ghettos of America, some Americans only wish to have a car any car, I've heard some say i never thought I would own a car The American dream is a luxury like a Ferrari many dream of but even ferrari's aren't dreamt up by every human Alive how dare develop countries assume everyone should aim to buy a Ferrari! That's the same type of thinking that created the genocide's of the americas! Sorry you are the unfortunate soul I replied to it could have been anyone. Think about it, you visual people. WHAT A LEGEND. Please pray for my husband to get a permanent job for 3 years he, S struggling Gracy Jabakumar. Rami Malek is going to give 007 a real Bohemian Rhapsody. There was snow, maybe there'll be skiing... How do you spell Russ's last name. Seb looks so good here. Baby, I know it's weird, but it's worth it. Only GOD by power be blessed man of God Alpha Lukau bless you. The wind forces open the curtained window. Candles snuff out in darkness. And a shiver cascades down your spine. Nope, its not just your imagination. Something is stalking on your screen, primed to to kill all your free time: The big, boo-tiful list of Rotten Tomatoes 200 Best Horror Movies of All Time! The wonders of seeing the unknown has always been the luring temptation of movies, and so horror feels especially close to this medium, a genre that exposes audiences to beyond normal, and into death. So were pulling from 100 years of movie history, from those early days of German expressionism ( Nosferatu, The Cabinet of Dr. Caligari) and Universal monsters ( Dracula, The Wolf Man. Creature features ( King Kong, The Fly) nestle with Best Picture nominees ( The Exorcist, Get Out. Slashers ( Scream) zombies ( Dawn of the Dead) vampires ( Let the Right One In) abound with terror of the more psychological persuasion ( Dont Look Now, The Innocents. Or so it would seem. And we honor the recent stabs and strides made by female horror directors ( A Girl Walks Home Alone at Night, The Babadook, The Invitation) and directors abroad ( Under the Shadow, The Wailing. Each of these best scary movies thrown into our bubbling cauldron had to have at least 20 reviews with a Fresh rating, before being sorted by Adjusted Tomatometer. Dead last but not dead least, weve expanded the guide to 200 movies, making room for the latest in cutting edge terror like Tigers Are Not Afraid, Scary Stories to Tell in the Dark, Crawl, and Midsommar. Meanwhile, a bunch of classics also get to creep in. Motel Hell fans, your filthy prayers have been answered. Ready to settle in for dark nights of Fresh fear? Then flip the switch on The 200 Best Horror Movies of All Time…its alive! Its alive! 100 Best 70s Horror Movies, 84 Best 80s Horror Movies 80 Best 2000s Horror Movies, 140 Best 2010s Horror Movies 40 Best 90s Horror Movies, Best & Worst Horror Movies of 2019 #200 Adjusted Score: 72. 114% Critics Consensus: The Howling packs enough laughs into its lycanthropic carnage to distinguish it from other werewolf entries, with impressive visual effects adding some bite. Synopsis: This groundbreaking, darkly comic horror film from director Joe Dante changed the look and feel of werewolf movies in ways. More] 199 Adjusted Score: 72. 576% Critics Consensus: Eerie and satirical, Motel Hell has no vacancy when it comes to low-brow horror gags. Synopsis: People come from far and wide to sample Farmer Vincent's distinctively flavored dried, smoked sausages, but one might well ask. More] 198 Adjusted Score: 73. 001% Critics Consensus: The cracks are starting to show in John Carpenter's directorial instincts, but Christine is nonetheless silly, zippy fun. Synopsis: She was born in Detroit. on an automobile assembly line. But she is no ordinary automobile. Deep within her chassis. More] 197 Adjusted Score: 74. 165% Critics Consensus: If it falls short of the deadly satire of Bret Easton Ellis's novel, American Psycho still finds its own blend of horror and humor, thanks in part to a fittingly creepy performance by Christian Bale. Synopsis: Patrick Bateman (Christian Bale) is a Wall Street yuppie, obsessed with success, status and style, with a stunning fiancée (Reese. More] 196 Adjusted Score: 73. 276% Critics Consensus: Elevated by writer-director Clive Barker's fiendishly unique vision, Hellraiser offers a disquieting - and sad*stically smart - alternative to mindless gore. Synopsis: The directorial debut from horror novelist Clive Barker stars Sean Chapman as a man who buys a strange Chinese puzzle. More] 195 Adjusted Score: 73. 614% Critics Consensus: With an outrageous premise played completely straight, Black Sheep is a violent, grotesque, and very funny movie that takes B-movie lunacy to a delirious extreme. Synopsis: A fluke of genetic engineering turns New Zealand's chief farm animal into a scourge of bloodthirsty killers in this comedy. More] 194 Adjusted Score: 74. 403% Critics Consensus: The rare slasher with enough intelligence to wind up the tension between bloody outbursts, Black Christmas offers fiendishly enjoyable holiday viewing for genre fans. Synopsis: Black Christmas is an effective, frightening above average slasher movie with a good cast and a frightening, surprise ending. Barb. More] 193 Adjusted Score: 74. 018% Critics Consensus: A cool and hip grindhouse throwback, Planet Terror is an unpredictable zombie thrillride. Synopsis: Maverick filmmaker Robert Rodriguez details the violent struggle between a ravenous army of zombie-like humanoids who have taken control of. More] 192 Adjusted Score: 76. 265% Critics Consensus: Police procedural meets werewolf flick in Wolfen, a creepy creature feature with a surprisingly profound side. Synopsis: Based on the novel by Whitley Strieber, a wealthy land developer and his wife are viciously murdered in the South. More] 191 Adjusted Score: 76. 338% Critics Consensus: A low budget thriller with some intense moments. Synopsis: Based on a true story, a thriller about an American couple, Daniel and Susan, who are on an island holiday. More] 190 Adjusted Score: 76. 428% Critics Consensus: Frank Darabont's impressive camerawork and politically incisive script make The Mist a truly frightening experience. Synopsis: David Drayton and his young son Billy are among a large group of terrified townspeople trapped in a local grocery. More] 189 Adjusted Score: 76. 372% Critics Consensus: Tough and unpleasant, It's Alive throttles the viewer with its bizarre mutant baby theatrics. Synopsis: Larry Cohen's disturbing little potboiler is mixed with measures of The Exorcist and Rosemary's Baby and features a chilling Bernard. More] 188 Adjusted Score: 76. 401% Critics Consensus: A Nightmare on Elm Street 3: Dream Warriors offers an imaginative and surprisingly satisfying rebound for a franchise already starting to succumb to sequelitis. Synopsis: The best of the Elm Street sequels, this creepy, surreal fantasy features terrific effects, a fine young cast, and an. More] 187 Adjusted Score: 76. 403% Critics Consensus: Even with its disorienting leaps of logic and structure, Jacob's Ladder is an engrossing, nerve-shattering experience. Synopsis: A tortured man finds himself caught in a middle-ground between hallucination and reality in this supernatural thriller, scripted by Bruce. More] 186 Adjusted Score: 76. 615% Critics Consensus: A smart mockumentary that presents a gory, funny, and obviously affectionate skewering of the slasher genre. Synopsis: On the surface, Leslie Vernon seems like your average small town, nice guy. He has goals, ambition and aspirations to. More] 185 Adjusted Score: 76. 617% Critics Consensus: While Basket Case definitely delivers all the gonzo gore promised by its cracked premise, it's really set apart by its rich vein of genuine pathos. Synopsis: A strange young man arrives in the city with a basket under his arm, which turns out to hold his. More] 184 Adjusted Score: 76. 734% Critics Consensus: Phantasm: Remastered adds visual clarity to the first installment in one of horror's most enduring. and endearingly idiosyncratic. franchises. Synopsis: The remastered original classic that started it all, in which two brothers discover their local mortuary hides a legion of. More] 183 Adjusted Score: 76. 798% Critics Consensus: Overblown in the best sense of the word, Francis Ford Coppola's vision of Bram Stoker's Dracula rescues the character from decades of campy interpretations. and features some terrific performances to boot. Synopsis: Based on Bram Stoker's classic 1897 novel, this film from Francis Ford Coppola and screenwriter James Victor Hart offers a. More] 182 Adjusted Score: 76. 882% Critics Consensus: With little gore and a lot of creepy visuals, The Ring gets under your skin, thanks to director Gore Verbinski's haunting sense of atmosphere and an impassioned performance from Naomi Watts. Synopsis: A disturbing videotape appears to hold the power of life and death over those who view it in this offbeat. More] 181 Adjusted Score: 76. 871% Critics Consensus: Claustrophobic and quirky horror, this is a decently dirty debut for director Todd Haynes. Synopsis: Todd Haynes' feature debut is structured around three interlocking vignettes. In the AIDS allegory "Horror. filmed in the style of. More] 180 Adjusted Score: 77. 164% Critics Consensus: Frightening, funny, and packed with action, Dog Soldiers is well worth checking out for genre fans. and marks writer-director Neil Marshall as a talent to keep an eye on. Synopsis: British director Neil Marshall's directorial debut Dog Soldiers resurrects and embraces the low-budget horror-comedy. Sergeant Harry Wells (Sean Pertwee) leads. More] 179 Adjusted Score: 78. 885% Critics Consensus: Though it ultimately sacrifices some mystery in the name of gory thrills, Candyman is a nuanced, effectively chilling tale that benefits from an interesting premise and some fine performances. Synopsis: Researching urban folklore, a University of Chicago student snoops around the housing projects of Cabrini Green to find more about. More] 178 Adjusted Score: 77. 787% Critics Consensus: Salò, or the 120 Days of Sodom will strike some viewers as irredeemably depraved, but its unflinching view of human cruelty makes it impossible to ignore. Synopsis: The final work of notorious Italian director Pier Paolo Pasolini, this film updates the Marquis de Sade's most extreme novel. More] 177 Adjusted Score: 78. 02% Critics Consensus: Creepy and disturbing, Frailty is well-crafted, low-key horror. Synopsis: Actor Bill Paxton made his directorial debut with Frailty. The bulk of the story is told through flashbacks, as a. More] 176 Adjusted Score: 78. 114% Critics Consensus: Scanners is a dark sci-fi story with special effects that'll make your head explode. Synopsis: The title of this David Cronenberg sci-fi horror film refers to a group of people who have telekinetic powers that. More] 175 Adjusted Score: 79. 161% Critics Consensus: A deftly crafted tribute to Halloween legends, Trick 'r' Treat hits all the genre marks with gusto and old fashioned suspense. Synopsis: Prolific director Bryan Singer takes a turn towards horror as the producer of this Halloween shocker directed by X2 and. More] 174 Adjusted Score: 78. 951% Critics Consensus: Valley Girl culture satire Night of the Comet gets lots of mileage out of its slapstick sci-fi zombie approach. Synopsis: In this sharp-witted sci-fi disaster outing, a comet smashes into California leaving a pair of Valley girls and a few. More] 173 Adjusted Score: 79. 025% Critics Consensus: Flawed but eminently watchable, Joel Schumacher's teen vampire thriller blends horror, humor, and plenty of visual style with standout performances from a cast full of young 1980s stars. Synopsis: In this hit '80s hybrid of the horror movie and the teen flick, a single mom and her two sons. More] 172 Adjusted Score: 79. 176% Critics Consensus: A brutal and effective British hoodie-horror that, despite the clichés, stays on the right side of scary. Synopsis: A romantic weekend in the woods turns into a bloody struggle for survival when a vacationing couple finds their campsite. More] 171 Adjusted Score: 79. 742% Critics Consensus: George A. Romero's latest entry in his much-vaunted Dead series is not as fresh as his genre-inventing original, Night of the Living Dead. But Land of the Dead does deliver on the gore and zombies-feasting-on-flesh action. Synopsis: It has been two decades since master filmmaker GEORGE A. ROMERO's zombies have stalked the screens of motion picture theaters. More] 170 Adjusted Score: 82. 082% Critics Consensus: Wes Craven's New Nightmare adds an unexpectedly satisfying - not to mention intelligent - meta layer to a horror franchise that had long since lost its way. Synopsis: Freddy Krueger is back from the grave in another thriller from famed horror director Wes Craven. This film differs from. More] 169 Adjusted Score: 80. 486% Critics Consensus: With an emphasis on dread over gore and an ending that leaves the door wide open for sequels, Oculus could be just the first spine-tingling chapter in a new franchise for discerning horror fans. Synopsis: Ten years ago, tragedy struck the Russell family, leaving the lives of teenage siblings Tim and Kaylie forever changed when. More] 168 Adjusted Score: 80. 824% Critics Consensus: Kill List is an expertly executed slow-burn crime thriller that thrives on tension before morphing into visceral horror. Synopsis: From director Ben Wheatley, Kill List is a mind-blowing genre concoction being called the " 1 Horror Film of the Year. More] 167 Adjusted Score: 81. 171% Critics Consensus: Southbound doesn't entirely avoid the jarring shifts common to anthology films, but thanks to some thrilling twists and turns, this horror road movie is a surprisingly smooth ride. Synopsis: On a desolate stretch of desert highway, weary travelers-two men on the run from their past, a band on their. More] 166 Adjusted Score: 82. 209% Critics Consensus: The Brood is a grotesque, squirming, hilariously shrill exploration of the bizarre and deadly side of motherhood. Synopsis: As the result of an unorthodox scientific experiment, a woman gives birth to a group of murderous, sexless mutant children. More] 165 Adjusted Score: 82. 407% Critics Consensus: Lights Out makes skillful use of sturdy genre tropes. and some terrific performances. for an unsettling, fright-filled experience that delivers superior chills without skimping on story. Synopsis: When a bloodthirsty supernatural being that lurks in the shadows preys upon a family, a young woman must fight to. More] 164 Adjusted Score: 82. 704% Critics Consensus: The Cat O'Nine Tails is a solidly entertaining Argento outing elevated by a well-chosen cast and the director's distinctive visual style. Synopsis: In this flawed mystery-thriller from flamboyant horror director Dario Argento, Karl Malden portrays a blind man who joins forces with. More] 163 Adjusted Score: 82. 814% Critics Consensus: Horror icon Wes Craven's subversive deconstruction of the genre is sly, witty, and surprisingly effective as a slasher film itself, even if it's a little too cheeky for some. Synopsis: The sleepy little town of Woodsboro just woke up screaming. There's a killer in their midst who's seen a few. More] 162 Adjusted Score: 80. 277% Critics Consensus: Brian De Palma reins in his stylistic flamboyance to eerie effect in The Fury, a telekinetic slow burn that rewards patient viewers with its startling set pieces. Synopsis: Brian De Palma returns to the mind-blowing potential of telekinesis in the follow-up to his 1976 horror hit Carrie. While. More] 161 Adjusted Score: 83. 54% Critics Consensus: You're Next's energetic and effective mix of brutal gore and pitch black humor will please horror buffs and beyond. Synopsis: One of the smartest and most terrifying films in years, YOU'RE NEXT reinvents the genre by putting a fresh twist. More] 160 Adjusted Score: 83. 786% Critics Consensus: Mute Witness is a slickly crafted horror/thriller with some surprising comic twists. Synopsis: This British thriller takes many unusual twists and turns as it follows the perils of three young American filmmakers in. More] 159 Adjusted Score: 83. 857% Critics Consensus: An audacious, unsettling Japanese horror film from director Takashi Miike, Audition entertains as both a grisly shocker and a psychological drama. Synopsis: Controversial Japanese director Takashi Miike creates this unnerving horror film about a widowed TV producer auditioning prospective wives. In his. More] 158 Adjusted Score: 84. 119% Critics Consensus: The stylish Thirst packs plenty of bloody thrills to satisfy fans of both vampire films and director Chan Wook Park. Synopsis: Song Kang-ho, Shin Ha-kyun, and Kim Ok-bin star in Oldboy director Park Chan-wook's frightener concerning a priest whose life takes. More] 157 Adjusted Score: 84. 252% Critics Consensus: Visually audacious, disorienting, and just plain weird, Videodrome's musings on technology, entertainment, and politics still feel fresh today. Synopsis: Videodrome is a pulsating science fiction nightmare about a world where video can control and alter human life. More] 156 Adjusted Score: 84. 511% Critics Consensus: Dead Ringers serves up a double dose of Jeremy Irons in service of a devilishly unsettling concept and commandingly creepy work from director David Cronenberg. Synopsis: Based extremely loosely on a true story, Dead Ringers stars Jeremy Irons and Jeremy Irons. You read right- Irons essays the. More] 155 Adjusted Score: 85. 634% Critics Consensus: Relying on psychological tension rather than overt violence and gore, 1408 is a genuinely creepy thriller with a strong lead performance by John Cusack. Synopsis: Renowned horror novelist Mike Enslin believes only in what he can see with his own two eyes. But after a. More] 154 Adjusted Score: 85. 31% Critics Consensus: This anthology contains brutal, powerful horror stories by three of Asia's top directors. Synopsis: Three Asian directors, from Hong Kong, Korea, and Japan, join forces to create an omnibus horror film, Three. Extremes. In Fruit. More] 153 Adjusted Score: 86. 009% Critics Consensus: Restrained but disturbing, A Tale of Two Sisters is a creepily effective, if at times confusing, horror movie. Synopsis: This supernatural horror film from Kim Jee-woon is inspired by the ancient Korean folktale "Jangha and Hongryun. Set in an. More] 152 Adjusted Score: 86. 066% Critics Consensus: Ouija: Origin of Evil swerves its franchise's planchette unexpectedly to YES with a surprisingly scary and dramatically satisfying follow-up to its lackluster predecessor. Synopsis: In this horror sequel, a game of Ouija leads to supernatural activity. Annalise Basso, Henry Thomas, Doug Jones, and Elizabeth. More] 151 Adjusted Score: 86. 144% Critics Consensus: Witty and restrained but still taut and funny, this Pontypool is a different breed of low-budget zombie film. Synopsis: A psychological thriller in which a deadly virus infects a small Ontario town. More] 150 Adjusted Score: 86. 506% Critics Consensus: As with the first film, Scream 2 is a gleeful takedown of scary movie conventions that manages to poke fun at terrible horror sequels without falling victim to the same fate. Synopsis: The crafty Wes Craven follows up lastÕs yearÕs surprise hit with another supremely self-referential but satisfyingly droll thriller. More] 149 Adjusted Score: 86. 788% Critics Consensus: Shadow of the Vampire is frightening, compelling, and funny, and features an excellent performance by Willem Dafoe. Synopsis: F W Murnau is making Nosferatu on location in Eastern Europe. The director is determined to make this the most. More] 148 Adjusted Score: 90. 461% Critics Consensus: An affectionate throwback to 1950s creature features, Tremors reinvigorates its genre tropes with a finely balanced combination of horror and humor. Synopsis: Tremors is actually two movies in one. On its own terms, it's an enjoyable modern sci-fi horror-thriller, with good pacing. More] 147 Adjusted Score: 87. 067% Critics Consensus: Lean and solidly crafted, The Shallows transcends tired shark-attack tropes with nasty thrills and a powerful performance from Blake Lively. Synopsis: In the taut thriller The Shallows, when Nancy (Blake Lively) is surfing on a secluded beach, she finds herself on. More] 146 Adjusted Score: 87. 882% Critics Consensus: Like the best horror/comedies, Tucker & Dale vs. Evil mines its central crazy joke for some incredible scares, laughs, and. believe it or not. heart. Synopsis: Tucker & Dale vs Evil is a hilariously gory, good-spirited horror comedy, doing for killer rednecks what Shaun of the. More] 145 Adjusted Score: 88. 076% Critics Consensus: Guy Maddin's film is a richly sensuous and dreamy interpretation of Dracula that reinvigorates the genre. Synopsis: A cinematic transposition of the Royal Winnipeg Ballet's Interpretation of Bram Stoker's classic vampire yarn from stage to screen. More] 144 Adjusted Score: 88. 223% Critics Consensus: The Others is a spooky thriller that reminds us that a movie doesn't need expensive special effects to be creepy. Synopsis: On the secluded Isle of Jersey in the final days of World War II, a young woman waits in vain. More] 143 Adjusted Score: 89. 357% Critics Consensus: Plunging viewers into the nightmarish hellscape of an apartment complex under siege, Rec] proves that found footage can still be used as an effective delivery mechanism for sparse, economic horror. Synopsis: After teaming up in 2002 for the dramatic music documentary OT: The Movie, Spanish horror specialists Jaume Balagueró (Darkness) and. More] 142 Adjusted Score: 88. 422% Critics Consensus: A solid, atmospheric creature feature that entertains without attempting to be deeper than it needs. Synopsis: Universal Pictures introduced audiences to yet another classic movie monster with this superbly crafted film, originally presented in 3-D. The. More] 141 Adjusted Score: 90. 043% Critics Consensus: The Omen eschews an excess of gore in favor of ramping up the suspense. and creates an enduring, dread-soaked horror classic along the way. Synopsis: The young son of an American diplomat and his wife, living in London, turns out to be marked with the. More] 140 Adjusted Score: 87. 784% Critics Consensus: Like the bestselling series of books that inspired it, Scary Stories to Tell in the Dark opens a creepy gateway into horror for younger genre enthusiasts. Synopsis: It's l968 in America. Change is blowing in the wind. but seemingly far removed from the unrest in the cities. More] 139 Adjusted Score: 89. 13% Critics Consensus: A smart, odball take on found-footage horror, Creep is clever and well-acted enough to keep viewers on the edges of their seats. Synopsis: Looking for work, Aaron (Patrick Brice) comes across a cryptic online ad: 1, 000 for the day. Filming service. Discretion is. More] 138 Adjusted Score: 89. 27% Critics Consensus: Clever yet clearly indebted to the masters of the genre, Sisters offers an early glimpse of De Palma at his stylishly crafty peak. Synopsis: Reporter Jennifer Salt thinks she has witnessed a murder; apparently, Margot Kidder is the killer and Lisle Wilson is the. More] 137 Adjusted Score: 89. 272% Critics Consensus: Carnival of Souls offers delightfully chilling proof that when it comes to telling an effective horror story, less can often be much, much more. Synopsis: Mary Henry is enjoying the day by riding around in a car with two friends. When challenged to a drag. More] 136 Adjusted Score: 89. 371% Critics Consensus: Using its low-budget effects and mockumentary method to great result, Paranormal Activity turns a simple haunted house story into 90 minutes of relentless suspense. Synopsis: A haunted house makes no secret of the fact it's not pleased with its new tenants in this independent tale. More] 135 Adjusted Score: 89. 429% Critics Consensus: The Conjuring 2 can't help but lose a bit of its predecessor's chilly sting through familiarity, but what remains is still a superior ghost story told with spine-tingling skill. Synopsis: Reprising their roles, Oscar nominee Vera Farmiga ( Up In the Air. TV's "Bates Motel" and Patrick Wilson (the "Insidious" films. More] 134 Adjusted Score: 89. 763% Critics Consensus: The Abominable Dr. Phibes juggles horror and humor, but under the picture's campy façade, there's genuine pathos brought poignantly to life through Price's performance. Synopsis: Long thought dead, the victim of a horrible accident, Dr. Anton Phibes (Vincent Price) still lives, surrounded by art-deco bric-a-brac. More] 133 Adjusted Score: 89. 871% Critics Consensus: Grimmer and more terrifying than the 1950s take, John Carpenter's The Thing is a tense sci-fi thriller rife with compelling tension and some remarkable make-up effects. Synopsis: John Carpenter's The Thing is both a remake of Howard Hawks' 1951 film of the same name and a re-adaptation. More] 132 Adjusted Score: 86. 14% Critics Consensus: Shivers uses elementally effective basic ingredients to brilliant effect - and lays the profoundly unsettling foundation for director David Cronenberg's career to follow. Synopsis: A gripping exercise in body horror and social paranoia, prolific Canadian director David Cronenberg's debut feature offers a startling look. More] 131 Adjusted Score: 90. 19% Critics Consensus: The strong female cast and biting satire of teenage life makes Ginger Snaps far more memorable than your average werewolf movie. or teen flick. Synopsis: In this modern werewolf tale, sisters Ginger and Brigitte are ostracized by their town because of their morbid inclinations. Soon. More] 130 Adjusted Score: 90. 382% Critics Consensus: A slimy, B-movie homage oozing with affection for low-budget horror films, Slither is creepy and funny. if you've got the stomach for it. Synopsis: The sleepy town of Wheelsy could be any small town in America. somewhat quaint and gentle, peopled with friendly. More] 129 Adjusted Score: 90. 347% Critics Consensus: Smart, suspenseful, and visually distinctive, Julia's Eyes marks another modern Spanish thriller that quickens the pulse while engaging the mind. Synopsis: A woman is trying to unravel a mystery that she literally can no longer see in this thriller from Spanish. More] 128 Adjusted Score: 91. 027% Critics Consensus: An action-packed creature feature that's fast, terrifying, and benefits greatly from a completely game Kaya Scodelario, Crawl is a fun throw-back with just enough self-awareness to work. Synopsis: When a massive hurricane hits her Florida hometown, Haley (Kaya Scodelario) ignores evacuation orders to search for her missing father. More] 127 Adjusted Score: 89. 692% Critics Consensus: The Girl with All the Gifts grapples with thought-provoking questions without skimping on the scares. and finds a few fresh wrinkles in the well-worn zombie horror genre along the way. Synopsis: The near future humanity has been all but destroyed by a mutated fungal disease that eradicates free will and turns. More] 126 Adjusted Score: 90. 766% Critics Consensus: Deft direction and strong performances from its all-female cast guide The Descent, a riveting, claustrophobic horror film. Synopsis: A group of close female friends on a yearly adventure vacation find themselves trapped and hunted in a series of. More] 125 Adjusted Score: 90. 704% Critics Consensus: The delightfully gonzo tale of a lovestruck teen and his zombified mother, Dead Alive is extremely gory and exceedingly good fun, thanks to Peter Jackson's affection for the tastelessly sublime. Synopsis: Considered by many to be the goriest film ever made and one of the funniest "splatstick" horror films since Sam. More] 124 Adjusted Score: 90. 653% Critics Consensus: Smartly filmed, tightly scripted, and. most importantly. consistently frightening, Poltergeist is a modern horror classic. Synopsis: With Poltergeist, directed by Tobe Hooper, Steven Spielberg had his first great success as a producer. Released around the same. More] 123 Adjusted Score: 90. 882% Critics Consensus: Thanks to director Zak Hilditch's patient storytelling and strong work from lead Thomas Jane, 1922 ranks among the more satisfying Stephen King adaptations. Synopsis: 1922 is based on Stephen King's 131-page story telling of a man's confession of his wife's murder. The tale is. More] 122 Adjusted Score: 90. 892% Critics Consensus: Carried by its charismatic young cast, Better Watch Out is an adorably sinister holiday horror film. Synopsis: This holiday season, you may be home, but you're not alone. In this fresh and gleefully twisted spin on home-invasion. More] 121 Adjusted Score: 91. 002% Critics Consensus: Terrifying and funny in almost equal measure, John Landis' horror-comedy crosses genres while introducing Rick Baker's astounding make-up effects. Synopsis: While wandering the English moors on vacation, college yanks David (David Naughton) and Jack (Griffin Dunne) happen upon a quaint. More] 120 Adjusted Score: 91. 07% Critics Consensus: Dark, violent, and drenched in dread, Goodnight Mommy is perfect for extreme horror enthusiasts. or filmgoers who prefer to watch between splayed fingers. Synopsis: In the heat of the summer. A lonesome house in the countryside between woods and corn fields. Nine-year-old twin brothers. More] 119 Adjusted Score: 89. 541% Critics Consensus: Though its underlying themes are familiar, House of the Devil effectively sheds the loud and gory cliches of contemporary horror to deliver a tense, slowly building throwback to the fright flicks of decades past. Synopsis: Sam is a pretty college sophom*ore, so desperate to earn some cash for a deposit on an apartment that she. More] 118 Adjusted Score: 91. 342% Critics Consensus: The Invitation makes brilliant use of its tension-rich premise to deliver a uniquely effective. and surprisingly clever. slow-building thriller. Synopsis: In this taut psychological thriller by Karyn Kusama (Girlfight, Jennifer's Body) the tension is palpable when Will (Logan Marshall-Green, Prometheus. More] 117 Adjusted Score: 91. 453% Critics Consensus: Smartly constructed and powerfully acted, Hounds of Love satisfies as a psychological thriller with a few nasty surprises. and marks writer-director Ben Young as a promising talent. Synopsis: In suburban Perth during the mid 1980s, people are unaware that women are disappearing at the hands of serial killer. More] 116 Adjusted Score: 91. 502% Critics Consensus: Rare Exports is an unexpectedly delightful crossbreed of deadpan comedy and Christmas horror. Synopsis: It's the eve of Christmas in northern Finland, and an 'archeological' dig has just unearthed the real Santa Claus. But. More] 115 Adjusted Score: 92. 001% Critics Consensus: Creepy lives up to its title with a suspenseful and thoroughly unsettling - not to mention well-acted - blend of crime procedural and domestic drama. Synopsis: Kiyoshi Kurosawa, who made his name with classics Cure and Bright Future, gets back to his roots by putting the. More] 114 Adjusted Score: 92. 317% Critics Consensus: House is a gleefully demented collage of grand guginol guffaws and bizarre sequences. Synopsis: A schoolgirl travels with six classmates to her ailing aunt's creaky country home and comes face-to-face with evil spirits, a. More] 113 Adjusted Score: 92. 432% Critics Consensus: George A. Romero's contribution to vampire lore contains the expected gore and social satire. but it's also surprisingly thoughtful, and boasts a whopper of a final act. Synopsis: One of horror filmmaker George Romero's many "small" 1970s films, Martin was fortunate enough to foster a cult following that. More] 112 Adjusted Score: 92. 634% Critics Consensus: Kinetically directed by Danny Boyle, 28 Days Later is both a terrifying zombie movie and a sharp political allegory. Synopsis: After breaking into a primate research facility, a group of animal rights activists discover caged chimps chained up before banks. More] 111 Adjusted Score: 92. 672% Critics Consensus: Deeply unnerving and surprisingly poignant, The Orphanage is an atmospheric, beautifully crafted haunted house horror film that earns scares with a minimum of blood. Synopsis: Pan's Labyrinth director Guillermo del Toro produces director Juan Antonio Bayona's gothic frightener about a long-abandoned orphanage with a particularly. More] 110 Adjusted Score: 92. 647% Critics Consensus: Henry: Portrait of a Serial Killer is an effective, chilling profile of a killer that is sure to shock and disturb. Synopsis: Although the title makes Henry: Portrait of a Serial Killer seem like a cut-rate slasher flick, the movie is actually. More] 109 Adjusted Score: 91. 029% Critics Consensus: A rough-edged thriller that lacks the precision of Polanski's best work, but makes up for it with its skillful mounting of paranoia, dread, and dark themes. Synopsis: Director Roman Polanski casts himself in the lead of the psychological thriller The Tenant. Trelkovsky (Polanski) rents an apartment in. More] 108 Adjusted Score: 93. 205% Critics Consensus: Duel makes brilliant use of its simple premise, serving up rock-solid genre thrills while heralding the arrival of a generational talent behind the lens. Synopsis: In this TV movie, Dennis Weaver is driving down a deserted Southern California highway when he passes a large gas. More] 107 Adjusted Score: 92. 014% Critics Consensus: The Exorcist rides its supernatural theme to magical effect, with remarkable special effects and an eerie atmosphere, resulting in one of the scariest films of all time. Synopsis: Novelist William Peter Blatty based his best-seller on the last known Catholic-sanctioned exorcism in the United States. Blatty transformed the. More] 106 Adjusted Score: 93. 198% Critics Consensus: Well-crafted and gleefully creepy, The Conjuring ratchets up dread through a series of effective old-school scares. Synopsis: Before there was Amityville, there was Harrisville. "The Conjuring" tells the true story of Ed and Lorraine Warren (Patrick Wilson. More] 105 Adjusted Score: 93. 188% Critics Consensus: Fright Night deftly combines thrills and humor in this ghostly tale about a man living next to a vampire. Synopsis: Classic Vampire film about a teenager who learns that his next door neighbor is a vampire, and no one will. More] 104 Adjusted Score: 93. 168% Critics Consensus: This intelligent horror film is subtle in its thrills and chills, with an ending that is both shocking and truly memorable. Synopsis: A righteous police officer investigating the disappearance of a young girl comes into conflict with the unusual residents of a. More] 103 Adjusted Score: 93. 361% Critics Consensus: Scary, strange, and maybe a little silly, House of Usher represents an early high mark for Vincent Price and a career triumph for director Roger Corman. Synopsis: This adaptation of Edgar Allen Poe's terrifying gothic tale of the last members of the ancient race of the Ushers. More] 102 Adjusted Score: 93. 295% Critics Consensus: The Devil's Candy playfully subverts horror tropes while serving up more than enough stylish thrills to satisfy genre enthusiasts. Synopsis: An artist and his family think they've moved into the house of their dreams, but when he is possessed by. More] 101 Adjusted Score: 93. 766% Critics Consensus: Though it deviates from Stephen King's novel, Stanley Kubrick's The Shining is a chilling, often baroque journey into madness. exemplified by an unforgettable turn from Jack Nicholson. Synopsis: All work and no play makes Jack a dull boy. or, rather, a homicidal boy in Stanley Kubrick's eerie. More] 100 Adjusted Score: 93. 489% Critics Consensus: Carla Gugino carries Gerald's Game's small-scale suspense with a career-defining performance. Synopsis: Gerald Burlingame (Bruce Greenwood) and his wife Jessie (Carla Gugino) attempt to rekindle the flames of their marriage with a. More] 99 Adjusted Score: 92. 81% Critics Consensus: As ambitious as it is daringly transgressive, Prevenge should thrill fans of pitch-black horror-comedy. and open untold opportunities for writer/director/star Alice Lowe. Synopsis: A pitch black, wryly British comedy from the mind of Alice Lowe, Prevenge" follows Ruth, a pregnant woman on a. More] 98 Adjusted Score: 94. 037% Critics Consensus: Trading gore for grandeur, Horror of Dracula marks an impressive turn for inveterate Christopher Lee as the titular vampire, and a typical Hammer mood that makes aristocracy quite sexy. Synopsis: This Hammer Studios classic is far closer to the letter (and spirit) of the Bram Stoker novel than the Bela. More] 97 Adjusted Score: 94. 852% Critics Consensus: Ambitious and beautifully shot, Demon delivers a gripping. and sadly final. testament to the singular talent possessed by director/co-writer Marcin Wrona. Synopsis: Newly arrived from England to marry his fiancee Zaneta (Agnieszka Zulewska, Chemo) Peter (Israeli actor Itay Tiran, Lebanon) has been. More] 96 Adjusted Score: 93. 893% Critics Consensus: Bone Tomahawk's peculiar genre blend won't be for everyone, but its gripping performances and a slow-burning story should satisfy those in search of something different. Synopsis: When a group of cannibal savages kidnaps settlers from the small town of Bright Hope, an unlikely team of gunslingers. More] 95 Adjusted Score: 94. 176% Critics Consensus: Full of creepy campfire scares, mock-doc The Blair Witch Project keeps audiences in the dark about its titular villain, proving once more that imagination can be as scary as anything onscreen. Synopsis: Combining Hi-8 video with black-and-white 16 mm film, this film presents a raw look at what can happen when college. More] 94 Adjusted Score: 90. 447% Critics Consensus: Campy by modern standards but spooky and atmospheric, House on Haunted Hill is a fun, well-executed cult classic featuring a memorable performance from genre icon Vincent Price. Synopsis: A very wealthy man gives a haunted house party, offering to give each of his guests 10, 000 - if they. More] 93 Adjusted Score: 94. 641% Critics Consensus: Thanks to a smart script and documentary-style camerawork, The Texas Chainsaw Massacre achieves start-to-finish suspense, making it a classic in low-budget exploitation cinema. Synopsis: Just as Hitchco*ck's Psycho was based on the life of deeply disturbed farmer Ed Gein, so is this little story. More] 92 Adjusted Score: 94. 893% Critics Consensus: Halloween largely wipes the slate clean after decades of disappointing sequels, ignoring increasingly elaborate mythology in favor of basic - yet still effective - ingredients. Synopsis: Jamie Lee Curtis returns to her iconic role as Laurie Strode, who comes to her final confrontation with Michael Myers. More] 91 Adjusted Score: 94. 656% Critics Consensus: Elevated by standout performances from James Caan and Kathy Bates, this taut and frightening film is one of the best Stephen King adaptations to date. Synopsis: Adapted from a Stephen King novel, Rob Reiner's Misery cast James Caan as a writer at a career crossroads. [More] 90 Adjusted Score: 94. 846% Critics Consensus: Similar to the original in all the right ways. but with enough changes to stand on its own. Let Me In is the rare Hollywood remake that doesn't add insult to inspiration. Synopsis: Twelve-year old Owen is viciously bullied by his classmates and neglected by his divorcing parents. Achingly lonely, Owen spends his. More] 89 Adjusted Score: 94. 78% Critics Consensus: Chilling performances and a restrained, eerie atmosphere make this British horror both an unnerving parable of its era and a timeless classic. Synopsis: In this film, a supernatural force causes residents of a small British town to fall asleep. They wake up to. More] 88 Adjusted Score: 94. 823% Critics Consensus: The Dead Zone combines taut direction from David Cronenberg and and a rich performance from Christopher Walken to create one of the strongest Stephen King adaptations. Synopsis: A man awakens from a coma to discover he has a psychic detective ability. More] 87 Adjusted Score: 95. 065% Critics Consensus: Effortlessly mixing scares, laughs, and social commentary, Attack the Block is a thrilling, brisky-paced sci-fi yarn with a distinctly British flavor. Synopsis: From the producers of Shaun of the Dead and Hot Fuzz, Attack the Block follows a gang of tough inner-city. More] 86 Adjusted Score: 95. 321% Critics Consensus: Deliciously campy and wonderfully funny, Theater of Blood features Vincent Price at his melodramatic best. Synopsis: A Shakespearean actor becomes enraged after losing a prominent acting award and decides to seek revenge on the critics responsible. More] 85 Adjusted Score: 95. 572% Critics Consensus: Creepily atmospheric and haunting, The Devil's Backbone is both a potent ghost story and an intelligent political allegory. Synopsis: The mournful fable of the Santa Lucia School during the last days of the Spanish Civil War. An imposing stone. More] 84 Adjusted Score: 95. 8% Critics Consensus: Smart, powerfully acted, and devilishly clever, We Are Still Here offers some novel twists on familiar territory. and heralds the arrival of a major talent in writer-director Ted Geoghegan. Synopsis: In the cold, wintery fields of New England, a lonely old house wakes up every thirty years - and demands. More] 83 Adjusted Score: 95. 804% Critics Consensus: Alternately hilarious, gross, and simply diverting, Housebound is the rare horror-comedy that delivers on both fronts. Synopsis: Kylie Bucknell is forced to return to the house she grew up in when the court places her on home. More] 82 Adjusted Score: 95. 635% Critics Consensus: David Lynch's surreal Eraserhead uses detailed visuals and a creepy score to create a bizarre and disturbing look into a man's fear of parenthood. Synopsis: This surreal nightmare examines male paranoia. Our hero and title character, Henry, faces a number of horrifying obstacles in meeting. More] 81 Adjusted Score: 95. 968% Critics Consensus: Combining a deadly thriller plot with the stylized violence that would become his trademark, The Bird with the Crystal Plumage marked an impressive horror debut for Dario Argento. Synopsis: This trend-setting thriller put its director, Dario Argento, on the international map and began a flood of imitative mystery-horror hybrids. More] 80 Adjusted Score: 96. 345% Critics Consensus: Decades later, it still retains its ability to scare. and Lon Chaney's performance remains one of the benchmarks of the horror genre. Synopsis: Lon Chaney stars as Erik, the Phantom, in what is probably his most famous and certainly his most horrifying role. More] 79 Adjusted Score: 96. 578% Critics Consensus: Don't Breathe smartly twists its sturdy premise to offer a satisfyingly tense, chilling addition to the home invasion genre that's all the more effective for its simplicity. Synopsis: A trio of reckless thieves breaks into the house of a wealthy blind man, thinking they'll get away with the. More] 78 Adjusted Score: 96. 419% Critics Consensus: One of the most compelling and entertaining zombie films ever, Dawn of the Dead perfectly blends pure horror and gore with social commentary on material society. Synopsis: Viewers who haven't seen George Romero's low-budget horror masterpiece Night of the Living Dead, might be at a loss during. More] 77 Adjusted Score: 96. 555% Critics Consensus: Train to Busan delivers a thrillingly unique. and purely entertaining. take on the zombie genre, with fully realized characters and plenty of social commentary to underscore the bursts of skillfully staged action. Synopsis: TRAIN TO BUSAN is a harrowing zombie horror-thriller that follows a group of terrified passengers fighting their way through a. More] 76 Adjusted Score: 96. 679% Critics Consensus: A classic. The definitive version of the Robert Louis Stevenson novella from 1931, with innovative special effects, atmospheric cinematography and deranged overacting. Synopsis: The good Doctor Jekyll invents a drug that unleashes Mr. Hyde, the incarnation of his uncontrollable evil side, with devastating. More] 75 Adjusted Score: 97. 201% Critics Consensus: It Comes at Night makes lethally effective use of its bare-bones trappings while proving once again that what's left unseen can be just as horrifying as anything on the screen. Synopsis: Imagine the end of the world. Now imagine something worse. Award-winning filmmaker Trey Edward Shults follows his incredible debut feature. More] 74 Adjusted Score: 97. 373% Critics Consensus: Perfectly mixing humor and horror, the only thing more effective than Re-Animator's gory scares are its dry, deadpan jokes. Synopsis: Scientist Herbert West has discovered a fluid which brings living tissue back to life. After the death of his professor. More] 73 Adjusted Score: 97. 447% Critics Consensus: Nina Forever tests the limits of the rom-com with a decidedly unorthodox triangle that's as diabolically original as it is daringly dark. Synopsis: Holly wants to save Rob and has fallen in love with him. She is training to be a paramedic and. More] 72 Adjusted Score: 97. 422% Critics Consensus: Bela Lugosi's timeless portrayal of Dracula in this creepy and atmospheric 1931 film has set the standard for major vampiric roles since. Synopsis: I I bid you velcome. Thus does Bela Lugosi declare his presence in the 1931 screen version of Bram. More] 71 Adjusted Score: 97. 729% Critics Consensus: Shaun of the Dead cleverly balances scares and witty satire, making for a bloody good zombie movie with loads of wit. Synopsis: It's often said that the true character of a man is only revealed in times of dire crisis, and for. More] 70 Adjusted Score: 97. 756% Critics Consensus: David Cronenberg combines his trademark affinity for gore and horror with strongly developed characters, making The Fly a surprisingly affecting tragedy. Synopsis: Considered fairly gruesome in its day, the original 1958 The Fly looks like Mister Rogers' Neighborhood compared to this 1986. More] 69 Adjusted Score: 97. 623% Critics Consensus: Evocative direction by Jacques Tourneur collides with the low-rent production values of exploitateer Val Lewton in I Walked with a Zombie, a sultry sleeper that's simultaneously smarmy, eloquent and fascinating. Synopsis: RKO producer Val Lewton seemed to thrive upon taking the most lurid film titles and coming up with pocket-edition works. More] 68 Adjusted Score: 97. 881% Critics Consensus: As populace pleasing as it is intellectually satisfying, The Host combines scares, laughs, and satire into a riveting, monster movie. Synopsis: When a young girl is snatched away from her father by a horrifying giant monster that emerges from the River. More] 67 Adjusted Score: 97. 788% Critics Consensus: The Endless benefits from its grounded approach to an increasingly bizarre story, elevated by believable performances by filmmakers Justin Benson and Aaron Moorhead. Synopsis: Following their Lovecraftian modern cult classic SPRING, acclaimed filmmakers Moorhead and Benson return with this mind-bending thriller that follows two. More] 66 Adjusted Score: 96. 976% Critics Consensus: Revenge slices and dices genre tropes, working within an exploitation framework while adding a timely. yet never less than viscerally thrilling. feminist spin. Synopsis: Jen (fearlessly embodied by Matilda Lutz, Rings) is enjoying a romantic getaway with her wealthy boyfriend which is suddenly disrupted. More] 65 Adjusted Score: 97. 752% Critics Consensus: Relying more on mood and atmosphere than the thrills typical of modern horror fare, Universal's The Mummy sets a masterful template for mummy-themed films to follow. Synopsis: Brought back to life after nearly 3, 700 years, Egyptian high priest Imhotep wreaks havoc upon the members of a British. More] 64 Adjusted Score: 98. 014% Critics Consensus: The kinetic camerawork and brutal over-the-top gore that made Dario Argento famous is on full display, but the addition of a compelling, complex story makes Deep Red a masterpiece. Synopsis: The film that has become the master work in Italian horror maestro Dario Argento's canon, Deep Red holds up brilliantly. More] 63 Adjusted Score: 98. 033% Critics Consensus: Wickedly funny and featuring plenty of gore, Zombieland is proof that the zombie subgenre is far from dead. Synopsis: A cowardly shut-in named Columbus (Jesse Eisenberg) is forced to join up with a seasoned zombie slayer named Tallahassee (Woody. More] 62 Adjusted Score: 97. 95% Critics Consensus: Wes Craven's intelligent premise, combined with the horrifying visual appearance of Freddy Krueger, still causes nightmares to this day. Synopsis: A group of teenagers are terrorized by "Freddy Krueger" an evil being from another world who gets to his victims. More] 61 Adjusted Score: 98. 35% Critics Consensus: Led by a note-perfect performance from Charles Laughton, Island of Lost Souls remains the definitive film adaptation of its classic source material. Synopsis: This first film version of H. Wells' Island of Dr. Moreau stars Charles Laughton as, a dedicated but sadly. More] 60 Adjusted Score: 98. 465% Critics Consensus: Ringu combines supernatural elements with anxieties about modern technology in a truly frightening and unnerving way. Synopsis: In this psychological horror story from Japan, a legend circulates among teenagers that if one watches a certain video at. More] 59 Adjusted Score: 98. 64% Critics Consensus: The Love Witch offers an absorbing visual homage to a bygone era, arranged subtly in service of a thought-provoking meditation on the battle of the sexes. Synopsis: Elaine, a beautiful young witch, is determined to find a man to love her. In her Gothic Victorian apartment she. More] 58 Adjusted Score: 98. 52% Critics Consensus: The blood pours freely in Argento's classic Suspiria, a giallo horror as grandiose and glossy as it is gory. Synopsis: An innocent American ballet dancer's excitement at being accepted to a prestigious European dance school turns to terror when she. More] 57 Adjusted Score: 99. 919% Critics Consensus: Green Room delivers unapologetic genre thrills with uncommon intelligence and powerfully acted élan. Synopsis: GREEN ROOM is a brilliantly crafted and wickedly fun horror-thriller starring Patrick Stewart as a diabolical club owner who squares. More] 56 Adjusted Score: 99. 332% Critics Consensus: Creepily atmospheric, The Innocents is a stylishly crafted, chilling British ghost tale with Deborah Kerr at her finest. Synopsis: In this lugubrious but brilliantly realized adaptation of Henry James' classic novella The Turn of the Screw, 19th century British. More] 55 Adjusted Score: 99. 237% Critics Consensus: Successfully mixing the conventions of the teen and horror genres with a twist, Australian director Sean Byrne makes a striking directorial debut. Synopsis: Lola Stone asked Brent Mitchell to the prom, but Brent said no, and now he's screwed. What happens when Lola. More] 54 Adjusted Score: 99. 401% Critics Consensus: Raw's lurid violence and sexuality live up to its title, but they're anchored with an immersive atmosphere and deep symbolism that linger long after the provocative visuals fade. Synopsis: Everyone in Justine's family is a vet. And a vegetarian. At sixteen she's a brilliant student starting out at veterinary. More] 53 Adjusted Score: 99. 663% Critics Consensus: This classic low budget horror film combines just the right amount of gore and black humor, giving The Evil Dead an equal amount of thrills and laughs. Synopsis: This auspicious feature debut from Sam Raimi. shot on 16mm in the woods of Tennesse for around 350, 000. More] 52 Adjusted Score: 99. 588% Critics Consensus: A handsomely told tale with an affecting performance from Lon Chaney, Jr., The Wolf Man remains one of the classics of the Universal horror stable. Synopsis: Even a man who is pure at heart/And says his prayers by night/May become a wolf when the wolf-bane blooms/And. More] 51 Adjusted Score: 99. 86% Critics Consensus: Ambitious, impressively crafted, and above all unsettling, Midsommar further proves writer-director Ari Aster is a horror auteur to be reckoned with. Synopsis: Dani and Christian are a young American couple with a relationship on the brink of falling apart. [More] 50 Adjusted Score: 100. 102% Critics Consensus: Stunning visuals from Werner Herzog and an intense portrayal of the famed bloodsucker from Klaus Kinski make this remake of Nosferatu a horror classic in its own right. Synopsis: For Werner Herzog's 1979 remake of F. W. Murnau's classic 1922 silent horror-fest Nosferatu, star Klaus Kinski adopts the same makeup. More] 49 Adjusted Score: 100. 056% Critics Consensus: Creep 2 has everything that made the original work and more. more laughs, more awkwardness, more unsettling terror. Synopsis: Desiree Akhavan ( Girls" APPROPRIATE BEHAVIOR) stars as Sara, a video artist whose primary focus is creating intimacy with lonely men. More] 48 Adjusted Score: 101. 537% Critics Consensus: Influential noir director Jacques Tourneau infused this sexy, moody horror film with some sly commentary about the psychology and the taboos of desire. Synopsis: Handed the exploitive title Cat People, RKO producer Val Lewton opted for a thinking man's thriller- a psychological mood piece, more. More] 47 Adjusted Score: 100. 54% Critics Consensus: Deliciouly funny to some and eerily presicient to others, The Fly walks a fine line between shlocky fun and unnerving nature parable. Synopsis: Wealthy Helene Delambre (Patricia Owens) is discovered late at night in the factory owned by her husband Andre (David Hedison. More] 46 Adjusted Score: 100. 584% Critics Consensus: A Girl Walks Home Alone at Night blends conventional elements into something brilliantly original. and serves as a striking calling card for writer-director Ana Lily Amirpour. Synopsis: The first Iranian Vampire Western ever made, Ana Lily Amirpour's debut basks in the sheer pleasure of pulp. A joyful. More] 45 Adjusted Score: 100. 833% Critics Consensus: House of Wax is a 3-D horror delight that combines the atmospheric eerieness of the wax museum with the always chilling presence of Vincent Price. Synopsis: Ever been creeped out by the life-like statues at a wax museum? Yes? But have you ever recognized your old. More] 44 Adjusted Score: 100. 612% Critics Consensus: Sam Raimi returns to top form with Drag Me to Hell, a frightening, hilarious, delightfully campy thrill ride. Synopsis: Evil Dead director Sam Raimi takes the helm for this "spook-a-blast" shocker about an ambitious L. loan officer who incurs. More] 43 Adjusted Score: 100. 663% Critics Consensus: Smart, subversive, and darkly funny, Ready or Not is a crowd-pleasing horror film with giddily entertaining bite. Synopsis: Ready Or Not follows a young bride (Samara Weaving) as she joins her new husband's (Mark O'Brien) rich, eccentric family. More] 42 Adjusted Score: 100. 917% Critics Consensus: Mandy's gonzo violence is fueled by a gripping performance by Nicolas Cage. and anchored with palpable emotion conveyed between his volcanic outbursts. Synopsis: Pacific Northwest. 1983 AD. Outsiders Red Miller and Mandy Bloom lead a loving and peaceful existence. When their pine-scented haven. More] 41 Adjusted Score: 98. 917% Critics Consensus: Employing gritty camerawork and evocative sound effects, Invasion of the Body Snatchers is a powerful remake that expands upon themes and ideas only lightly explored in the original. Synopsis: In this elaborate remake of the 1956 horror classic, health inspector Donald Sutherland is dispatched to investigate the curious behavior. More] 40 Adjusted Score: 99. 309% Critics Consensus: Carrie is a horrifying look at supernatural powers, high school cruelty, and teen angst. and it brings us one of the most memorable and disturbing prom scenes in history. Synopsis: This classic horror movie based on Stephen King's first novel stars Sissy Spacek as Carrie White, a shy, diffident teenager. More] 39 Adjusted Score: 101. 075% Critics Consensus: Tigers Are Not Afraid draws on childhood trauma for a story that deftly blends magical fantasy and hard-hitting realism - and leaves a lingering impact. Synopsis: A haunting horror fairytale set against the backdrop of Mexico's devastating drug wars, TIGERS ARE NOT AFRAID follows a group. More] 38 Adjusted Score: 101. 43% Critics Consensus: The Cabin in the Woods is an astonishing meta-feat, capable of being funny, strange, and scary. frequently all at the same time. Synopsis: Five friends go to a remote cabin in the woods. Bad things happen. If you think you know this story. More] 37 Adjusted Score: 101. 406% Critics Consensus: The Wailing delivers an atmospheric, cleverly constructed mystery whose supernatural thrills more than justify its imposing length. Synopsis: The arrival of a mysterious stranger in a quiet rural village causes suspicion amongst the villagers- but as they begin. More] 36 Adjusted Score: 101. 381% Critics Consensus: With four accomplished directors contributing, Dead of Night is a classic horror anthology that remains highly influential. Synopsis: A phone rings. Architect Mervyn Johns is wakened from a nightmare and summoned to the country estate of Roland Culver. More] 35 Adjusted Score: 101. 441% Critics Consensus: Proving once again that build-up is the key to suspense, Alfred Hitchco*ck successfully turned birds into some of the most terrifying villains in horror history. Synopsis: The story begins as an innocuous romantic triangle involving wealthy, spoiled Melanie Daniels (Tippi Hedren) handsome Mitch Brenner (Rod Taylor. More] 34 Adjusted Score: 101. 847% Critics Consensus: Well-acted and fiendishly frightening with an emotionally affecting story at its core, It amplifies the horror in Stephen King's classic story without losing touch with its heart. Synopsis: New Line Cinema's horror thriller "IT. directed by Andy Muschietti ( Mama. is based on the hugely popular Stephen King novel. More] 33 Adjusted Score: 101. 899% Critics Consensus: Smart, solidly crafted, and palpably tense, 10 Cloverfield Lane makes the most of its confined setting and outstanding cast. and suggests a new frontier for franchise filmmaking. Synopsis: A young woman wakes up after a terrible accident to find that she's locked in a cellar with a doomsday. More] 32 Adjusted Score: 101. 746% Critics Consensus: Under the Shadow deftly blends seemingly disparate genres to deliver an effective chiller with timely themes and thought-provoking social subtext. Synopsis: Shideh (Narges Rashidi) and her family live amid the chaos of the Iran-Iraq war, a period known as The War. More] 31 Adjusted Score: 102. 414% Critics Consensus: Peeping Tom is a chilling, methodical look at the psychology of a killer, and a classic work of voyeuristic cinema. Synopsis: Mark Lewis, assistant cameraman at a London film studio, aspiring movie director, part-time taker of p*rnographic pictures, and amateur documentary. More] 30 Adjusted Score: 102. 537% Critics Consensus: As thought-provoking as it is visually compelling, The Witch delivers a deeply unsettling exercise in slow-building horror that suggests great things for debuting writer-director Robert Eggers. Synopsis: In this exquisitely made and terrifying new horror film, the age-old concepts of witchcraft, black magic and possession are innovatively. More] 29 Adjusted Score: 101. 733% Critics Consensus: Evil Dead 2's increased special effects and slapstick-gore makes it as good. if not better. than the original. Synopsis: This sequel is better, funnier, scarier and superior to the first indie gore-fest. Never before has there been such an. More] 28 Adjusted Score: 103. 462% Critics Consensus: Director Jonathan Demme's smart, taut thriller teeters on the edge between psychological study and all-out horror, and benefits greatly from stellar performances by Anthony Hopkins and Jodie Foster. Synopsis: In this multiple Oscar-winning thriller, Jodie Foster stars as Clarice Starling, a top student at the FBI's training academy whose. More] 27 Adjusted Score: 103. 252% Critics Consensus: Scary, suspenseful, and viscerally thrilling, Halloween set the standard for modern horror films. Synopsis: A young boy kills his sister on Halloween of 1963, and is sent to a mental hospital. 15 years later. More] 26 Adjusted Score: 103. 713% Critics Consensus: A horrific tale of guilt and obsession, Eyes Without a Face is just as chilling and poetic today as it was in 1959. Synopsis: A brilliant but crazed surgeon resorts to horrifying measures to restore the beauty of his daughter's disfigured face. More] 25 Adjusted Score: 104. 173% Critics Consensus: George A. Romero's debut set the template for the zombie film, and features tight editing, realistic gore, and a sly political undercurrent. Synopsis: A group of people hide from bloodthirsty zombies in a farmhouse. More] 24 Adjusted Score: 101. 303% Critics Consensus: Don't Look Now patiently builds suspense with haunting imagery and a chilling score. causing viewers to feel Donald Sutherland and Julie Christie's grief deep within. Synopsis: A married couple is haunted by a series of mysterious occurrences after the death of their young daughter in this. More] 23 Adjusted Score: 104. 094% Critics Consensus: Time has been kind to this horror legend: Freaks manages to frighten, shock, and even touch viewers in ways that contemporary viewers missed. Synopsis: Real sideshow performers star in Tod Browning's infamous cult classic, a grotesque revenge drama set against a circus backdrop. Trapeze. More] 22 Adjusted Score: 103. 792% Critics Consensus: A frightening tale of Satanism and pregnancy that is even more disturbing than it sounds thanks to convincing and committed performances by Mia Farrow and Ruth Gordon. Synopsis: In Roman Polanski's first American film, adapted from Ira Levin's horror bestseller, a young wife comes to believe that her. More] 21 Adjusted Score: 104. 752% Critics Consensus: Hereditary uses its classic setup as the framework for a harrowing, uncommonly unsettling horror film whose cold touch lingers long beyond the closing credits. Synopsis: When Ellen, the matriarch of the Graham family, passes away, her daughter's family begins to unravel cryptic and increasingly terrifying. More] 20 Adjusted Score: 104. 982% Critics Consensus: Let the Right One In reinvigorates the seemingly tired vampire genre by effectively mixing scares with intelligent storytelling. Synopsis: A 12-year-old boy befriends a mysterious young girl whose appearance in town suspiciously coincides with a horrifying series of murders. More] 19 Adjusted Score: 105. 163% Critics Consensus: Full of disorienting visual effects, Carl Theodor Dreyer's Vampyr is as theoretically unsettling as it is conceptually disturbing. Synopsis: Vampyr ranks in many circles as one of the greatest horror films of all time. Inspired by Sheridan Le Fanu's. More] 18 Adjusted Score: 105. 66% Critics Consensus: One of the best political allegories of the 1950s, Invasion of the Body Snatchers is an efficient, chilling blend of sci-fi and horror. Synopsis: Director Don Siegel's thinly-veiled examination of McCarthy-era hysteria stars Kevin McCarthy (no relation) as Miles Bennell, a California doctor who. More] 17 Adjusted Score: 105. 592% Critics Consensus: Smart, original, and above all terrifying, It Follows is the rare modern horror film that works on multiple levels. and leaves a lingering sting. Synopsis: After a strange sexual encounter, a teenager finds herself haunted by nightmarish visions and the inescapable sense that something is. More] 16 Adjusted Score: 105. 846% Critics Consensus: While Alien was a marvel of slow-building, atmospheric tension, Aliens packs a much more visceral punch, and features a typically strong performance from Sigourney Weaver. Synopsis: Big-budget special effects, swiftly paced action, and a distinct feminist subtext from writer/director James Cameron turned what should have been. More] 15 Adjusted Score: 106. 466% Critics Consensus: Roman Polanski's first English film follows a schizophrenic woman's descent into madness, and makes the audience feel as claustrophobic as the character. Synopsis: When Carol, a shy young Belgian, is left alone for a few days in the Kensington flat she shares with. More] 14 Adjusted Score: 106. 422% Critics Consensus: Still unnerving to this day, Frankenstein adroitly explores the fine line between genius and madness, and features Boris Karloff's legendary, frightening performance as the monster. Synopsis: Frankenstein" is a film about a mad, obsessed scientist, Dr. Henry Frankenstein" who creates a monster, by taking body parts. More] 13 Adjusted Score: 107. 095% Critics Consensus: The Babadook relies on real horror rather than cheap jump scares. and boasts a heartfelt, genuinely moving story to boot. Synopsis: Six years after the violent death of her husband, Amelia (Essie Davis) is at a loss. She struggles to discipline. More] 12 Adjusted Score: 107. 172% Critics Consensus: Compelling, well-crafted storytelling and a judicious sense of terror ensure Steven Spielberg's Jaws has remained a benchmark in the art of delivering modern blockbuster thrills. Synopsis: Based on Peter Benchley's best-selling novel, Steven Spielberg's 1975 shark saga set the standard for the New Hollywood popcorn blockbuster. More] 11 Adjusted Score: 107. 102% Critics Consensus: James Whale's classic The Invisible Man features still-sharp special effects, loads of tension, a goofy sense of humor, and a memorable debut from Claude Rains. Synopsis: A mysterious stranger, his face swathed in bandages and his eyes obscured by dark spectacles, has taken a room at. More] 10 Adjusted Score: 108. 654% Critics Consensus: Featuring Robert Mitchum's formidable performance as a child-hunting preacher, The Night of the Hunter is a disturbing look at good and evil. Synopsis: Adapted by James Agee from a novel by Davis Grubb, The Night of the Hunter represented legendary actor Charles Laughton's. More] 9 Adjusted Score: 108. 414% Critics Consensus: A modern classic, Alien blends science fiction, horror and bleak poetry into a seamless whole. Synopsis: In space, no one can hear you scream. A close encounter of the third kind becomes a Jaws-style nightmare when. More] 8 Adjusted Score: 108. 81% Critics Consensus: Infamous for its shower scene, but immortal for its contribution to the horror genre. Because Psycho was filmed with tact, grace, and art, Hitchco*ck didn't just create modern horror, he validated it. Synopsis: In 1960, Alfred Hitchco*ck was already famous as the screen's master of suspense (and perhaps the best-known film director in. More] 7 Adjusted Score: 109. 458% Critics Consensus: One of the silent era's most influential masterpieces, Nosferatu's eerie, gothic feel. and a chilling performance from Max Schreck as the vampire. set the template for the horror films that followed. Synopsis: F. Murnau's landmark vampire film begins in the Carpathian mountains, where real estate agent Hutter has arrived to close. More] 6 Adjusted Score: 110. 139% Critics Consensus: King Kong explores the soul of a monster. making audiences scream and cry throughout the film. in large part due to Kong's breakthrough special effects. Synopsis: How would you like to star opposite the tallest, darkest leading man in Hollywood. Enticed by these words, brunette leading. More] 5 Adjusted Score: 110. 584% Critics Consensus: An eccentric, campy, technically impressive, and frightening picture, James Whale's Bride of Frankenstein has aged remarkably well. Synopsis: Dr. Frankenstein is forced to tempt fate once again by creating a suitable mate for his monster. More] 4 Adjusted Score: 111. 128% Critics Consensus: A Quiet Place artfully plays on elemental fears with a ruthlessly intelligent creature feature that's as original as it is scary. and establishes director John Krasinski as a rising talent. Synopsis: In the modern horror thriller A QUIET PLACE, a family of four must navigate their lives in silence after mysterious. More] 3 Adjusted Score: 114. 1% Critics Consensus: Arguably the first true horror film, The Cabinet of Dr. Caligari set a brilliantly high bar for the genre. and remains terrifying nearly a century after it first stalked the screen. Synopsis: In one of the most influential films of the silent era, Werner Krauss plays the title character, a sinister hypnotist. More] 2 Adjusted Score: 113. 893% Critics Consensus: Funny, scary, and thought-provoking, Get Out seamlessly weaves its trenchant social critiques into a brilliantly effective and entertaining horror/comedy thrill ride. Synopsis: Now that Chris and his girlfriend, Rose, have reached the meet-the-parents milestone of dating, she invites him for a weekend. More] 1 Adjusted Score: 117. 033% Critics Consensus: With Jordan Peele's second inventive, ambitious horror film, we have seen how to beat the sophom*ore jinx, and it is Us. Synopsis: Set in present day along the iconic Northern California coastline, Us, from Monkeypaw Productions, stars Oscar (R) winner Lupita Nyong'o. More. I receive my miracle right now in Jesus name. Amen. You're scared, I'm nervous. BRITT AND KJ BACK AT IT AGAIN SINCE A DOG'S PURPOSE 😍😍😍 I always wanted to see a love story from them aghhh. I remember freaking out because my mom was watching this. she told me it could never happen, and I believed her. 2020 and im not so sure... BYAGUGAN, THE HYUGA CLAN. So they knew all along. 🕵 Damn they warned us. Incredible what these men went through. I can only imagine the fear in all of them. Sometimes I try to put myself in the shoes of a WW1/WW2 soldier. I ask myself if I could do it. Whether it's running across no mans land or storming the beaches of Normandy. The upmost respect. Thanks jesus we believe in you lord jesus. John Malkovich is a legend. AFIS 100 YEARS…100 MOVIES — 10TH ANNIVERSARY EDITION, American Film Institute AFIS 100 YEARS…100 MOVIES — 10TH ANNIVERSARY EDITION – American Film Institute LIST VIEW EXPANDED VIEW 5. SINGIN' IN THE RAIN (1952) 6. GONE WITH THE WIND (1940) 7. LAWRENCE OF ARABIA (1962) 8. SCHINDLER'S LIST (1993) 10. THE WIZARD OF OZ (1939) 15. 2001: A SPACE ODYSSEY (1968) 19. ON THE WATERFRONT (1954) 20. IT'S A WONDERFUL LIFE (1947) 22. SOME LIKE IT HOT (1959) 23. THE GRAPES OF WRATH (1940) 24. E. THE EXTRA-TERRESTRIAL (1982) 25. TO KILL A MOCKINGBIRD (1962) 26. MR. SMITH GOES TO WASHINGTON (1939) 29. DOUBLE INDEMNITY (1944) 30. APOCALYPSE NOW (1979) 31. THE MALTESE FALCON (1941) 32. THE GODFATHER PART II (1974) 33. ONE FLEW OVER THE CUCKOO'S NEST (1975) 34. SNOW WHITE AND THE SEVEN DWARFS (1938) 36. THE BRIDGE ON THE RIVER KWAI (1957) 37. THE BEST YEARS OF OUR LIVES (1946) 38. THE TREASURE OF THE SIERRA MADRE (1948) 39. DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (1964) 40. THE SOUND OF MUSIC (1965) 42. BONNIE AND CLYDE (1967) 43. MIDNIGHT COWBOY (1969) 44. THE PHILADELPHIA STORY (1941) 46. IT HAPPENED ONE NIGHT (1934) 47. A STREETCAR NAMED DESIRE (1952) 50. THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING (2001) 51. WEST SIDE STORY (1961) 53. THE DEER HUNTER (1978) 55. NORTH BY NORTHWEST (1959) 61. SULLIVAN'S TRAVELS (1942) 62. AMERICAN GRAFFITI (1973) 65. THE AFRICAN QUEEN (1952) 66. RAIDERS OF THE LOST ARK (1981) 67. WHO'S AFRAID OF VIRGINIA WOOLF? 1966) 70. A CLOCKWORK ORANGE (1971) 71. SAVING PRIVATE RYAN (1998) 72. THE SHAWSHANK REDEMPTION (1994) 73. BUTCH CASSIDY AND THE SUNDANCE KID (1969) 74. THE SILENCE OF THE LAMBS (1991) 75. IN THE HEAT OF THE NIGHT (1967) 77. ALL THE PRESIDENT'S MEN (1976) 79. THE WILD BUNCH (1969) 82. SUNRISE: A SONG OF TWO HUMANS (1927) 85. A NIGHT AT THE OPERA (1935) 88. BRINGING UP BABY (1938) 89. THE SIXTH SENSE (1999) 91. SOPHIE'S CHOICE (1982) 93. THE FRENCH CONNECTION (1971) 95. THE LAST PICTURE SHOW (1971) 96. DO THE RIGHT THING (1989) 98. YANKEE DOODLE DANDY (1943) Thank you for your support. SIGN UP FOR OUR NEWSLETTER. Opens his eyes: Show's heaven and hell itself. Michele Coomer is a victim of sex trafficking. The 49-year-old married mother of four says she kept the horrors of her childhood a secret for much of her life. But Coomersays in 2013 shewasfinally able to revealto her husband how she wasabused by a now-deceased family member who repeatedly sold her for sex as a girl. "It was terrifying to tell my husband. I didn't know how he was going to react. said Coomer, who lives in Hendersonville."He just folded me into his arms and said 'This doesn't change things. This doesn't change who you are. I will always love you. Coomerhas continued to tell her story. She is one of the survivors featured in a new documentary, Blind Eyes Opened: The Truth About Sex Trafficking in America. It will be shown Thursday evening in nearly 800 theaters nationwide and several Nashville-area theaters are participating in the one-night-only viewing. The feature-length documentary by aChristian production company, Ships of Tarshish, took six years to make and is billedas a "first-of-its-kind look at the dark roots of sex trafficking. anews release states. Not only does it dig into this modern slavery epidemic, but the movie also shows how Christian beliefs can help victims heal. "Once you've learned how to recognize human trafficking, you begin to see it everywhere — it's in every single community, Geoffrey Rogers, a "Blind Eyes Opened"executive producer,said in thenews release. Rogers is also the CEO of the faith-based nonprofit U. Institute Against Human Trafficking. It works to end traffickingin a number of ways, includingpartnering with government and community leaders to create trafficking-free zones and advocating for laws that punish those buying sex. Coomer said charges were never filed against the family member who abused her. But her relationship with God, professional help and sharing her story has helped with her ownhealing process. Coomer, who is a longtime member of Long Hollow Baptist Church in Hendersonville, said she alsohopes her story will help others. "My goal is for them to know that if they have had similar experience, whether it is being trafficked or sexually exploited or sexually abused as a child, that there is hope and freedom on the other side. Coomer said. Coomer continues to be involved in the fight to end human trafficking. Today, she helps rescue victims in Thailand. Through an organization, Coomer visits the country a couple times a year in order tobuild relationships with women trapped by sex trafficking. The goal is to help them escape their circ*mstances. It is not just survivors who can make an impact. The church also can play a role in ending human trafficking, Kerri Rogers, a "Blind Eyes Opened"executive producer and writer, said in the news release. That work should include reducing the demand for p*rnography and ministering to sex trade workers. "We absolutely need the church to engage in this crucial battle; but first, followers of Christ have to allow themselves to see the problem, and thats what this movie aims to do, Rogers said."If we're going to truly overcome the evil of sex trafficking, hearts have to change;and this only happens through the love of Christ. Coomer encouraged people to see the new documentary so they can recognize when human trafficking is occurring. "It's happening everywhere. It is happening in your neighborhood. It's happening to people who look and appear absolutely like a normal American family. Coomer said. "I think if people were just more aware and just kept their eyes open and new how to keep their eyes open that we could stop some of this trafficking that's happening. " Visit for more details on the documentary, includingticket information. If you suspect someone may be a victim of human trafficking, call the Tennessee Human Trafficking Hotline at1-855-55-TNHTH (86484. Reach Holly Meyer at or 615-259-8241 and on Twitter @HollyAMeyer. If you go: What: One-day theater release of "Blind Eyes Opened" When: 7 p. Thursday Where: Select local theaters includingRegal Opry Mills, Regal Hollywood 27, Regal Green Hills and AMC Thoroughbred 20 in Cool Springs Details: Visit for more information, including howto buy tickets. Read or Share this story. It's a great cast and I really want it to be a good film, but I'm really afraid it will be a jarring mess unable to jungle the amount of action it apparently has and the amount of broody research montages it's about. The trailer didn't dispell my worries. Oh well, let's hope and see. Run Forest run. right onto the Saving Private Ryan set. Powerful thank you Lord Jesus Amen 👏👏👏👏👏💃💃💃💃💃💃🇿🇼. My miracle is for today. I receive. 2:27 how are they not dead I need to rewatch the previous rgetting who these peep are. How is it that she's so underrated? I really don't get it. ← Anteriores Siguientes →

En de stem op 02:47 is van Adriaan. Geheim agent roekeloos (spies in disguise. Geheim agent roekeloos recensie. Leuke video 👍🏽. Mijn onmogelijke missie: Al jullie videos gekeken Kunnen jullie weer een keer op vakantie naar. video maken.

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